Tag Archives: writing cities

A Classic Bristol Story

The weekend was golden, skies smiled blue. This was a while ago now, times have been busy. We were walking into town.

Coming towards us ever so slowly and creakily down the middle of the road, a woman rode her bicycle. Her left hand rested on a handle bar, her right hand pressed her phone into her ear.

As we watched, she slowed even more. Then slowly, so slowly, she toppled over to one side.

Just.

Toppled.

Over.

Without a move to save herself or break her fall.

The strangest slow motion accident I have ever seen.

She wasn’t so old, but not so young either. She lay there on her right side, unconcerned and still straddling the bike, its wheels slowly spinning. Her right arm bent beneath her still held her phone to her ear, and she continued talking as though nothing at all had happened.

We hurried to her side, asking if she was alright. As we stood there, she looked up at us, told the person on the phone she needed to go, but she’d call back. She hung up. Seemed to notice she was lying on the ground.

We helped her sit up. She insisted she was ok and didn’t need any help. We weren’t all that sure.

A white, middle-aged and highly-lycraed man pulled up on his own bike. We thought he was there to help. His beard made him look like more of an adult than us. He stood there straddling his bike in manly stance, looking down at her.

‘You see this?’ he asked her, tapping his helmet. ‘Never leave home without it. It’s dangerous out there. Your head can crack like an egg. You should never cycle without a helmet.’

You see this?’ he asked, tapping his leg. ‘A pocket for my phone. That phone never leaves my pocket while I’m cycling, never. It stays in there at all times. You need to keep your phone in your pocket. Someone calls me? I pull to the side of the road to answer.’

‘It’s all about road safety’. He said, smiling, his teeth white.

She smiled back, nodding. We all nodded.

He rode away. We stared after him.

We helped her stand up, walked her bike over to the little grassy bank for her. She sat down, refused any further help. Said she’d be ok and asked us not to call anyone. She repeated this several times, and told us she just needed to sit for a bit. So right or wrong, we didn’t. We continued our walk, though with some misgivings. She sat on the bank a while, talking on her phone again. In our last view of her, she had restarted her wobbly ride, on a sidewalk this time.

Stepney: The Reason London Should be Considered a Capital City

Coline MacInnes captures the Stepney-that-was so brilliantly in Mr Love and Justice. When it still had docks, sailors, teeming life overflowing its streets and markets. I never got to see Spitalfields like this, never saw ships, and don’t think you quite get that feeling anymore of London ending abruptly at its city gates. I wish I seen it like that, though I still loved working and walking there: for the continued presence of so many different cultures; the bits and pieces of utopia; Barnardo’s orphanage; the work of Eleanor Marx, Father Groser and meals on wheels at St Katharine’s; what we ourselves built at St Katharine’s and its community garden.

So different from more judgmental views found in histories like that of Walter Besant or the orientalised visions expanded from Limehouse in the Fu Manchu novels, this description is splendid.

Stepney, in early morning, has a macabre, poetic beauty. It is one of those areas of London that is thoroughly confused about itself, being in transition from various ancient states of being to new ones it is still busy searching for. The City, which still preserves its Roman quality of ending very abruptly at its ancient gates, towers beyond Aldgate pump, then stops: so that gruesome Venetian financial palaces abut on to semi-slums. From the dowdy baroque of Liverpool street station, smoke and thunder fall on Spitalfields market with its vigorous dawn life and odour of veg, fruit and flowers like blended essences of the citizens’ duties, delights and fantasies. Below the windowless brick warehouses of the Port of London Authority, the road life of Wentworth street–almost unknown elsewhere in London where roads are considered means by which to move from place to place, not places in themselves–bubbles, over spills and sways in argument and shrill persuasion, to the off-stage squawks of thousands of slaughtered chickens. Old Montague street with its doorless shops that open outward in the narrow thoroughfare, and its discreet, secretive synagogues, has still the flavour of a semi-voluntary ghetto. Further south, in Commercial road, are the nocturnal vice caffs that members of parliament and of Royal Commissions are wont to visit, invariably accompanied by a detective-inspector to ensure that their expedition will reveal nothing characteristic of the area; and which, when suppressed, pop up again immediately elsewhere or under different names with different men of straw at the identical old address. In Cable street, below, the castaways from Africa and the Caribbean perform a perpetual, melancholy, wryly humorous ballet of which they are themselves the only audience. Amid incredible slums–which, one may imagine, with the huge new blocks replacing them, are preserved there by authority to demonstrate the contrast of before-and-after–are pieces of railway architecture of grimly sombre grandeur. Then come the docks with masts and funnels strangely emerging above chimney tops, and house-locked basins, the entry to which by narrow canals and swinging bridges seems, to the landsman, an impossibility, were it not for the cargo boats nestling snugly between the derelict tenements. Suddenly, beyond this, you come upon the river: which this far down, lined with wharves and cranes and bearing great ocean loving steamers, is no longer the pretty, grubby, playground of the higher reaches but already, by now, the sea.

Continue reading Stepney: The Reason London Should be Considered a Capital City

The faded respectability and self-righteous drabness of Kilburn: Mr Love and Justice

The London geographies in Colin MacInness’ Mr Love and Justice overlap some of my own much loved parts of London in interesting ways. I quite enjoyed the book, especially as it steadily grew more complicated and took its interesting turns. But my little urbanist heart proper stopped a couple of times as he describes architecture and place in rather brilliant ways. And wrestling.

I never lived in North London, but one of my favourite people lives in Kilburn. I’ve always loved it up there. This description of it fascinates, especially given how many new layers (pretty antithetical to coppers) have been added to these streets. Though I wonder if it isn’t returning to its middle class heyday.

Examining the area, Edward liked it. There is about Kilburn a sort of faded respectability, of self-righteous drabness, that appealed to him. For the true copper’s dominant characteristic, if the truth be known, is neither those daring nor vicious qualities that are some times attributed to him by friend or enemy, but an ingrained conservatism, an almost desperate love of the conventional. It is untidiness, disorder, the unusual, that a copper disapproves of most of all: far more, even, than of crime, which is merely a professional matter. Hence his profound dislike of people loitering in streets, dressing extravagantly, speaking with exotic accents, being strange, weak, eccentric or simply any rare minority-of their doing, in short, anything that cannot be safely predicted.

Continue reading The faded respectability and self-righteous drabness of Kilburn: Mr Love and Justice

Steedman’s Landscape for a Good Woman (part 1)

This book, this Landscape for a Good Woman by Carolyn Steedman…I loved it with a love reserved for few other books really. For its lyricism and beauty, the sharp insights about mothers and daughters, about how we are classed and gendered, about how we just might break free of this yet never break free…the pain of all of it. The complexities of all of it, and the complexities of our own inner lives too often flattened by words like working-class, woman, mother. I loved this book for an ability to share a world with her briefly and watch her theorise so beautifully from there, there, this complex, working class landscape. This place usually only the object of theory, the ‘problem’ for theory.

She manages it so beautifully, you long to try but feel pretty certain this is a high wire act not to be emulated lightly or without years of training. She opens so:

Death of a Good Woman

She died like this. I didn’t witness it. My niece told me this. She’d moved everything down into the kitchen: a single bed, the television, the calor-gas heater. She said it was to save fuel. The rest of the house was dark and shrouded. Through the window was only the fence and the kitchen wall of the house next door. Her quilt was sewn into a piece of pink flannelette. Afterwards, there were bags and bags of washing to do. … She lived alone, she died alone: a working-class life, a working-class death. (1-2)

This conflicted moment of loss is the beginning. Not the lovely quote from John Berger which follows, describing how we carry our biographies with us.

The present tense of the verb to be refers only to the present: but nevertheless with the first person singular in front of it, it absorbs the past which is inseparable from it. ‘I am’ includes all that has made me so. It is more than a statement of immediate fact: it is already biographical.
(John Berger, About Looking)

Continue reading Steedman’s Landscape for a Good Woman (part 1)

Salford in Robert Roberts ‘The Classic Slum’

I so enjoyed The Classic Slum, wish very much I could have met Robert Roberts. Funny that I remember buying this book in North Hollywood in my favourite used bookshop, the Iliad. Over a decade ago. I was curious about just how LA compared, those far away days now of tenant organising filled with rats and roaches and chinches and slumlords and lead poisoning and amazing amazing people still in my heart. Maybe I didn’t actually want to think more about slums just then. Never got around to reading it, never expected I might work in Salford, come to know it so well. Though it is not the Salford that Roberts described of course, not the Salford of the Lowry paintings I love so much. We have left that behind.

I left all my books behind there too, in LA, left almost everything. I only occasionally miss any of it, maybe simply because I have managed to collect new shelves upon shelves piles upon piles of books. I missed this though. Had to order it again, another copy of the Classic Slum, an orange binding rather than blue this time. He writes as his place of beginning:

This is a book made much from talk, the talk first of men and women, fifty or more years ago, of ideas and views repeated in family, street, factory and shop, and borne in mind with intent! The corner shop, my first home, was a perfect spot for young intelligence to eavesdrop on life. Here, back and forth across the counters, slide the comedy, tragedy, hopes, fears and fancies of a whole community: here was market place and village well combined… Then, and for long afterwards, I mixed with people, adult in Edwardian and Georgian days, who had lived out their time in ghettos spawned by the industrial revolution. Many among them, shrewd and thoughtful, could not only recapitulate experience, they knew how to assess its value in relation to their lives. Men discussed, argued, reminisced: I listened and remembered. To them all, many long gone now, I am indeed greatful for what they taught. (9)

I love this opening so much.

Roberts was born in Salford, grew up in these streets ‘behind a general shop in an area which, sixty years before, Frederick Engels had called the ‘classic slum’, I grew up in perhaps an ideal position for viewing the english proletarian caste system in its late flower’. (13)

I keep his chapters, so much thought goes into organising thoughts, ideas, memory. Yet I realise as a reader I often don’t even notice, I will do better. This is, as always, a hodge podge of what I found most interesting in excruciating detail. Part 1.

Class Structure

We start with class, and quoting Engels himself? From several decades before Roberts’ birth.

All Salford is built in courts or narrow lanes, so narrow, that they remind me of the narrowest I have ever seen, the little lanes of Genoa. The average construction of Salford is in this respect much worse than that of Manchester, and so, too, in respect to cleanliness. If, in Manchester, the police, from time to time, every six or ten years, makes a raid upon the working-people’s districts, closes the worst dwellings, and causes the filthiest spots in these Augean stables to be cleansed, in Salford it seems to have done absolutely nothing.

This is saying a lot if you’ve read all that he says about Manchester.

I am always fascinated by understandings of boundaries, communities, where a neighbourhood ends and another begins. Especially here in the UK and Europe where a weight of history sits so much more heavily on the urban form and how people understand their place within it and how that connects to the rest of the world. Roberts writes:

Every industrial city, of course, folds within itself a clutter of loosely defined overlapping ‘villages’. Those in the Great Britain of seventy years ago were almosy self-contained communities. Our own consisted of some thirty streets and alleys locked along the north and south by two railway systems a furlough apart. About twice that distance to the east lay another slum which turned on its farther side into a land of bonded warehouses and the city proper. West of us, well beyond teh tramlines, lay the middle classes, bay-windowed and begardened. We knew them not. (16)

And ah the details, the familiar environmental justice issues raised by the presence of industry and pollution, both industrial and animal.

Over one quarter of a mile industry stood represented by a dying brickworks and an iron foundry. Several gasholders on the south side polluted the air, sometimes for days together. Little would grow; even the valiant aspidistra pined.* We possessed besides two coal yards, a corn store, a cattle wharf and perhaps as closed an urban society as any in Europe.

In our community, as in every other of its kind, each street* had the usual social rating; one side or one end of that street might be classed higher than another. Weekly rents varied from 2s 6d for the back-to-back to 4s 6d for a ‘two up and two down’. End houses often had special status. Every family, too, had a tacit ranking, and even individual members within it… (17)

The footnotes, as they so often are, are brilliant. On aspidistras

*To encourage the Adam in us our local park sold ‘garden soil’ at a penny a bucket. At home, expending twopence, we once trried a window box ‘for flowers’ in the back yard. A few blooms struggled up then collapsed. ‘So!’ said my mother, loud in her husband’s hearing, ‘you can raise a child, it seems, on coal gas, but it does for geraniums!’

And footnote 2 on land ownership — curious to me though why ownership should be relegated to a footnote, surely it is part of the crux of the matter? And to all that happened later.

*The railway company which owned most of our streets kept its houses in a moderate state of disrepair. Two workmen haunted the properties, a crabby joiner and, trailing behind him with the handcart, his mate, a tall, frail, consumptive. This pair were known to the neighbourhood unkndly as ‘Scrooge’ and ‘Marley’s Ghost’. (17)

I love the workmen. I confess, though, I really struggle to understand the depths of self-imposed hierarchy that I have seen described elsewhere — Morrison in Tales of Mean Streets writing about East London most memorably, but that is not the only place. It is such an ugly head to rear up, and it saddens my heart.

The real social divide existed between those who, in earning daily bread, dirtied hands and face and those who did not. …

These division could be marked in many public houses, where workers other than craftsman would be frozen or flatly ordered out of those rooms in which journeymen foregathered. Each part of the tavern had its status rating; indeed, ‘he’s only a tap-room man’ stood as a common slur. (19)

I might start using ‘he’s only a tap-room man’ though, I rather like the phrase when mis-applied. These distinctions of skill, wage and dress were as present among women. Carolyn Steedman writes of fashion and class with such heart-breaking eloquence, but here it is in different form.

Many women and girls in the district worked in some branch of the textile industry. Of these, we accepted weavers as ‘top’ in their class, followed by winders and drawers-in. Then came spinners. They lacked standing on several counts: first, the trade contained a strong Irish Catholic element, and wages generally were lower than in other sections. Again, because of the heat and slippery floors, women worked barefoot, dressed in little more than calico shifts. These garments, the respectable believed, induced in female spinners a certain moral carelessness. … Clogs and shawls were, of course, standard wear for all. … So clearly, in fact, did headwear denote class that, in Glasgow, separate clubs existed for ‘hat’ girls and ‘shawl’ girls. (20)

Still from short film: Mitchell and Kenyon 20: Howarth’s Egerton Mill, Orsdall Lane, Salford, 1900
produced by Mitchell and Kenyon (London, England: British Film Institute, 1900

Along with my ubiquitous people at the bottom of every hierarchy. I suppose the move to America rather than Manchester allowed us to be hat girls. Another footnote returns us to Engels on the Irish question:

Engels pointed out how, in the 1840s, the million or more britalized Irish immigrants pouring into English slums were depressing native social and economical standards. Little integration, however, seems to have followed upon the influx. Even up to the outbreak of the first world war differences in race, religion, culture and status kept English and Irish apart. The Irish poor, already of course deeply deferential to the Church, remained, in sobriety, even more than their English counterparts, respectful to the point of obsequiousness to any they considered their social superiors. (23)

In sobriety might be the key phrase? Still, this saddens me of course, surely there was some smouldering rebellion? It will not be found in these pages, nor anywhere in these streets. At least not at this time he describes. There are some fantastic descriptions of Marxists though.

The class struggle, as manual wokers in general knew it, was apolitical and had place entirely within their own society. They looked upon it not in any way as a war against the employers but as a perpetual series of engagements in the battle of life itself. … Marxist ‘ranters’ from the Hall who paid fleeting visits to our streets and insisted that we, the proletariat, stood locked in titanic struggle with some wicked master class. We were battling, they told us (from a vinegar barrel borrowed from our corner shop), to cast off our chains and win a whole world. Most people passed by; a few stood to listen, but not for long; the problems of the ‘proletariat’, they felt, had little to do with them.

Before 1914 the great majority in the lower working classes were ignorant of Socialist doctrine in any form, whether ‘Christian’ or Marxist. (28)

There is sadly no footnote about the Hall from whence these ranters emerge. But there is a tragedy of a message of hope and fury not coming through.

Meanwhile, though the millenium for a socialist few might seem just around the corner, many gave up struggling. The suicide rate among us remained pretty high. (29)

Possessions

This chapter resonated so brilliantly with so much I have been reading — climate change, sustainability, the need for us (the Western, more wealthy us who have lots of stuff now) to give up a great deal of our things, our consumption and desire to possess. But also with the more abstract relationality of things, object oriented ontology and etc. My own childhood where possessions were so few and so precious.

The social standing of every person within the community was constantly affected by material pressures, some of the slightest, and the struggle for the acquisition and display of objects seened fiercer than any known in Britain now for cars, boats or similar prestige symbols. For many of the lowest group the spectre of destitution stood close; any new possession helped to stifle fear.

To stifle fear. What a shiver. I know that is part of the appeal of buying new things for me, even with destitution left far behind.

One scrimped and saved to get a new piece of oilcloth, a rag rug, the day at Southport, a pair of framed pictures — ‘Her First Singing Lesson’ perhaps, with ‘Her First Dancing Lesson’. Pictures, in a society far from wholly literate, were especially esteemed.(32)

A list of material possessions that seem, as he says even from his time of writing, ‘pathetically modest’. My grandparents had some of these pictures.

I sit in such comfort. Nothing like this, though the damp of this old Victorian row house gives me some inkling of how terrible and cold cold cold damp and cold it might have been.

In general slum life was far from being the jolly hive of communal activity that some romantics have claimed. They forget, perhaps, or never knew of the dirt that hung over all, of the rubbish that lay for months in the back alleys, of the ‘entries’ or ginnels with open middens where starving cats and dogs roamed or died and lay for weeks unmoved. They did not know those houses that stank so badly through an open doorway that one stepped off the pavement to pass them by. That people stayed scrupulously clean in such surroundings–and many did–only proves the tenacity of the human spirit. (49)

Governors, pastors and masters

Ah, the patriarchy.

Round parents the houshold revolved, and little could be done without their approval. Espoecially was paternal consent needed. In compensation, perhaps, for the slights of the outside world, a labourer often played king at home. (50)

Another kind of hierarchy, male from top to bottom.

He notes the preference of ‘vagrants’ (when did we shift terminology from vagrant to homeless?) for prison rather than the workhouse, and unsurprisingly that the numbers of those sent to prison were in proportion to those unemployed

The Common Scene

This then, forms the common scene of 1900-1910. It is so grim, from every angle. The ‘1906 Board of Trade figures showed half the women in industrial Britain earned under 10s for a week’s work of seldom less than fifty-four hours’ (76). A world of endless work and its reward only enough for bare life. Charity stepping insultingly into the void, and so ‘The Ladies’ Health Society’ goes along visiting women together with the ‘Sanitary Society’ to sell carbolic soap and powder. Women who often wrote and described all they saw like Margaret Harkness and Maud Pember Reeves, and they are valuable records I suppose, but leave a bad taste. They would not write this way.

So our neighbours, and many like them, in this ‘thrice happy first decade’ fought on grimly, certainly not to rise, but to stave off that dreaded descent into the social and economic depths. Under the common bustle crouched fear. In children — fear of parents, teachers, the Church, the police, and authority of any sort; in adults — fear of petty chargehands, foremen, managers and employers of labour. Men harboured a dread of sickness, debt, loss of status, above all, of losing a job, which could bring all other evils fast in train. (88)

And despite all of this workers still strike. To have strikes shattered by troops recently returned from fighting in Egypt and elsewhere. For Empire. How far removed this feels from Empire and yet it is at its heart.

Food, Drink and Physic

To return back to this role of Empire, yet another brilliant footnote

Some families who dealt with us had male members (all unskilled workers) who had soldiered in the outposts of empire during the late ninteenth century and after. Their experience seemed to have gained them litle beyond a contempt for lesser breeds, a love of family discipline and passion for hot pickles. (105)

Not much of physic though, and a very different attitude towards death.

Knocks, bruises, ailments one accepted stoically enough. Death, after all, called often. Children made a common habit of visiting a house wgere someone had just passed away to ask reverently to view the body, a request that was never refused. one friend of my youth boasted of having seen thirty-seven corpses over a wide area. (124)

So much unrelenting poverty. But all on the cusp of a change.

Roberts, Robert ([1971] 1990) The Classic Slum: Salford Life in the First Quarter of the Century. London: Penguin

real estate noir: MacDonald on The Florida Suburbs…

It was one of those Florida houses I find unsympathetic, all block tile, glass, terrazzo, aluminum. They have a surgical coldness. Each one seems to be merely some complex corridor arrangement, a going-through place, an entrance built to some place of a better warmth and privacy that was never constructed. When you pause in these rooms, you have the feeling you are waiting. You feel that a door will open and you will be summoned, and horrid things will happen to you before they let you go. You can not mark these houses with any homely flavor of living. When they are emptied after occupancy, they have the look of places where the blood has recently been washed away.

The yard was scrubby with dried weeds. (40)

MacDonald, John D. ([1964] 1992)The Deep Blue Goodbye. London: Orion.

Night Walking, Manchester

Walking home from the Briton’s Protection through the darkness along the Manchester canal…it’s not late but there is no one here. The night still hides the brash and cheap ‘luxury’ buildings that line the waterway here. I walk and stare at the water reflecting lights and bricks, think simply how easy it would be to fall in. I am not drunk but jetlagged, only a few hours sleep, not much to eat…This would have been no place for me one hundred years ago, and I know how many secrets the canals hid.

I exult in walking, the darkness, the city, it wants to come pouring out in the form of the great modernist novel. But of course, we have left the modernist novel far behind. I can no longer write it. Ironic that now as a woman I can wander the darkness like James Joyce, Dylan Thomas (and it’s funny how they are always with me as I walk), but I can no longer push boundaries the way they did. The boundaries have been pushed, the novels written. The city they knew no longer exists.

I walk past Elizabeth Gaskell’s home, wonder who she might have been outside of the constrictions of her time and place. Wonder if she might have wandered the darkness, or wanted to. Wonder if she might have had less mawkish sentiment in her. The cemetery and what’s left of the church bombed out in WWII, her home, a handful of villas transformed into student flats are all that’s left really of what was here once. I am happy for the council housing, but these streets — Manchester is all wide streets, all cars, all noise. It is no longer for walkers, not like London. Almost no one walks in most of the city apart from the very centre, and on a Friday night…well. First time I came here myself was for a hen do with a bunch of girls from Glasgow. We trampled these canal pathways with stiletto heels and shrill drunken laughter. But honestly, perhaps I was closer to my great modernist novel then…

Elizabeth Gaskell’s house

On the dawn in Lisbon (Pessoa)

249 [18/5/1930]

This dawn is the first the world has seen. Never before has this pink light dwindling into yellow then hot white fallen in quite this way on the faces that the windowpaned eyes of the houses in the west turn to the silence that comes with the growing light. Never before have this hour, this light, my being existed. What comes tomorrow will be different, and what I see will be seen through different eyes, full of a new vision.

Tall mountains of the city! Great buildings, rooted in, raised up upon, steep slopes, an avalanche of houses heaped indiscriminately together, woven together by the light out of shadows and fire — you are today, you are me, because I see you, you are what [you will not be] tomorrow, and, leaning as if on a ship’s rail, I love you as ships passing one another must love, feeling an unaccountable nostalgia in their passing. (227)

The Scholar Denied: Aldon Morris on W.E.B. Du Bois

Du Bois The Scholar DeniedI read this not long after seeing Aldon Morris himself talking about both Du Bois and The Scholar Denied, a wonderful evening. He gave us a taste then of his background, what brought him to this project. In reading the book, this is the autobiographical phrase that stuck with me:

I am a member of what sociologist and freedom fighter Joyce Ladner coined the “Emmett Till Generation,” blacks traumatized by by the lynching, which left a lasting imprint. (x)

#BLM show what little distance we have come. Also these shared questions, the way he was always moved by social movement:

What stirred in the souls of black people to cause them to be swept into the vortex of a powerful social movement? What changed in these people who had been taught to obey racists or face the awful consequences? Would they be able to overthrow Jim Crow? I was consumed with issues social scientists would come to conceptualize as human agency and the ways oppressed people could use it to generate change. (xi)

This is what social movement studies should be asking, no? Instead they have such a different feeling and I think much of that is driven by the same dynamics that led to Du Bois being marginalised, to the extent that Morris found him entirely absent from his sociology classes (as did I in undergrad):

My purpose in writing The Scholar Denied: W.E.B. Du Bois and the Birth of American Sociology is an ambitious one, namely, to shift our perspective on the founding, a hundred years ago, of one of the social sciences in America. …  I show that such intellectual schools are not merely the products of intellectual networks and original, meritorious ideas but are deeply entangled with power, ruling ideologies, and economics. … I lay bare the racism and power of dominant whites responsible for suppressing a seminal body of social scientific thought. (xvi-xvii)

And in spite of all this, such a body of work may still flourish. Because this flourishing is demonstrated here as well. This is a book of inspiration as much as anything, and always a book belonging to movement. You can see it in the acknowledgment that Du Bois was not an isolated genius, but flourished in institutions — there’s Du Bois kicking it in Germany where he was treated as an equal, studying under Weber himself and his later friendship with Boas who helped him see for the first time the greatness of African civilization — as well as in collaboration with black (and some white) intellectuals in Atlanta: Monroe Work, Richard R. Wright Jr, George Edmund Haynes. Two women were also instrumental in the Atlanta School, Lucy Craft Laney and Mary White Ovington. It was an uphill battle, however, and not just against white racism.

The Scholar Denied documents clearly the ways Booker T Washington and Robert E Park ‘conspired to obstruct and silence Du Bois politically, and how their actions imperiled Du Bois’s influence as a founder of American Sociology’ (xviii). The ways that Du Bois’s work was suppressed by scholars subscribing to white supremacy, ‘because it concluded that there were no scientific grounds on which to justify racial oppression and because they could not view Du Bois as an exemplary scholar who pioneered scientific sociology.’ (4)

A note here on this use of the word scientific — I was always a bit conflicted about that because it rings of positivism, of ‘objectivity’ but this is not the sense in which wither Morris or Du Bois use it. It stands, rather, for critical study. Rigorous and scholarly investigation based on interviews and actual fieldwork (still revolutionary for the time really, even after Booth). Du Bois was one of the first to get out of the proverbial armchair.  Of course The Philadelphia Negro (1899) is the primary example…and hell yes it should be. What an impressive, incredible book. It attempted, as I have written before, to turn the whole white-crafted question of the ‘the negro problem’ on its head.

Because of stiff white resistance to black aspirations, Du Bois, at the beginning of the twentieth century, concluded that the major unasked question of whites regarding blacks was: How does it feel to be a problem? (7)

Oh Sociology

Sociology has gone on to some great things, but has a rather ugly past. I suppose even so they were no worse than Geography — and possibly better for all their multiple sins. Still, the 1st issues of the 1st American Sociological journal — The American Journal of Sociology, founded by Chicago sociologist Albion Small in 1904 — contained a lead article by Galton, father of eugenics, on (wait for it) ‘Eugenics: Its Definition, Scope, and Aims’. This was no fluke or passing fad, the article was reprinted in the 1921 sociology textbook ‘Introduction to the Science of Sociology’ edited by Park and Burgess. So popular in curricula across the country it was known for decades as the “Green Bible”, it established sociology as an ‘abstract science’  (19, 138) and thus eugenics as a valid field of that study I suppose. But it helped define Du Bois right out of the field.

Park and Burgess drew upon Du Bois’s work, as almost certainly did the rest of the Chicago school, though they did not credit him. his voluminous papers were not included in these or other edited collections, not was he invited to key conferences of the field. All this despite the fact that Max Weber himself ’embraced Du Bois’s scholarship and declared him to be one of the greatest sociologists in America.’ (149)

Weber’s respect had much to do with his pioneering of methodologies, especially with The Philadelphia Negro. Interviews, participant observation, surveys, data crunching, spatial analysis. The manner in which Du Bois studied North AND South, urban AND rural and all over time and all rooted in their historical context because he saw all of this as deeply connected. Also Du Bois’s engagement with social problems and concerns that Weber also saw as important though it was eschewed by the Chicago school as unscientific and unobjective.

Upon returning to “‘nigger’-hating America,” Du Bois embraced his life’s work: the production of careful sociological studies of African Americans steeped in empirical data that could be used to discredit the dominant sociological and popular doctrine that blacks were forever stuck at the bottom of human civilizations because nature made them inferior. (22)

The Philadelphia Negro was written while an assistant instructor at UPenn — where Du Bois felt utterly marginalized as he was not allowed to teach white students. Morris quotes him writing:

It goes without saying that I did no instructing save once to pilot a pack of idiots through the Negro slum. (56)

After The Philadephia Negro‘s publication, Du Bois hoped to be able to establish a research program to study the black community. White universities refused to host such a program, white scholars refused to collaborate. So the scholar denied went down to Atlanta University, which segregated neither faculty nor its ‘sprinkling’ of white students. Du Bois and his students began quite an incredible project, collecting data on black urban life in Atlanta year by year, year after year. Their goal was to hold a conference at the end of each year to sift through it, analyse and publish it, maybe change the world with it…because they probed at its deep roots.

The Du Bois-Atlanta school of sociology was guided by a scholarly principle: sociological and economic factors were hypothesized to be the main causes of racial inequality… (58)

Du Bois created a ‘Laboratory in Sociology’ (75),  his goal was to do these yearly studies every year for 100 years…can you imagine? The wealth of information that would have generated. All this even as Jim Crow was ramping up. Although their work, just like The Philadelphia Negro, was officially ignored it clearly had an impact on the field (as did Jane Addams’ publication of the Hull House Maps and Papers in 1895). Yet it was The Polish Peasant in Europe and America (1918-1920) that is cited as the 1st great empirical study of American sociology (68). A fairly incredible fact after reading Du Bois’s work, or looking at the reproductions of some of Du Bois and his students’ incredible hand-drawn and coloured charts (many of which can be seen here in this incredible collection on public domain review).

So it would be bad enough if it were just the Chicago School ignoring an uppity black scholar, but this story is so much more involved than that. I never liked Booker T,  I really hated Up From Slavery as much as I allowed myself to judge (because, you know, I haven’t all that much right to judge). But damn, Morris is right in this damning praise:

Just seven months after Douglas’s death, white Americans, and European powers involved in colonizing Africa received a wonderful gift of black leadership — Booker T. Washington. (9)

Washington preached that inequality was driven by the fundamental inequality of blacks themselves and a lack of black civilization. This was picked up and echoed by the Chicago school of sociology (12), because you know why (apart from its convenience?) I never knew Robert E. Park took a job at Tuskegee, as director of public relations and a ghostwriter for Booker T himself. Du Bois had rejected the position.

Bloody hell. The insult of such an offer.

So it becomes oh so clear where Park’s ideas are founded, how they were sustained in this view of blacks as rural, simple, safest away from cities and their temptations. Above all the necessity of extremely gradual (we’re talking centuries), rate of changing race relations. Of course Washington saw Du Bois and his colleagues proving full equality and demanding full rights as a threat and a challenge. Park joined him in this view, retaining an intense loyalty to Washington through the years after leaving Tuskegee, catapulted as he was into leadership at Chicago. His utter lack of qualification in comparison with Du Bois is painfully obvious. By 1905, Booker T was on the warpath, threatening Atalanta University and its funding if it continued down the path laid out by Du Bois (he wrote openly that Du Bois’s work at Atlanta University wished to destroy Tuskegee — extraordinary and vile). Funding did dry up at his word, though Du Bois managed to eke it out for another 10 years. This explains a lot I think, about the Chicago School.

The Chicago School

The Chicago school was guided by two major theoretical principles formulated mainly by Park. The first was that sociology was an objective science whose mission was to formulate natural laws determining human behavior. The second was a unique social Darwinism that combined evolutionary principles with social interaction analyses. (112)

There is so much packed into the book on the subject of Park’s opinions and writings that you can see threading through future scholarship like a malignant spirit. A call for objectivity, a ‘ridiculing of reform-oriented sociologists’ in a quest to uncover ‘universal social natural laws.’ (114) A belief in racial hierarchy, whites at top and blacks at bottom. Park drew on Simmel, whose student he had been, in theorizing basic social forms: competition, conflict, accommodation, assimilation. (115) He believed in ‘racial temperaments’ transmitted biologically and that blacks would be forever both culturally and biologically inferior (117). Terms used to describe them were ‘primitives, folk people, aliens, and savages‘ (119) despite the claim that they had lost all cultural ties during the middle passage.  Always an emphasis on blacks remaining rural and South as cities required ‘civilized’ persons to inhabit them. (120)

It’s awful reading — and recognizing — the litany.

Park wrote an utterly vile piece on ‘Negro’ music, describing how the songs show them to be sunny tempered and optimistic. He somehow managed to find in them no trace of Africa. He describes leading authority on Black spirituals to be a white Colonel who collected them from black soldiers. Madness.

But also bad scholarship. You can see the devastating impact of racist views on any shred of intellectual validity. I mean, as a scholar all he had to do to know better was read the incredibly well researched work of Du Bois.

Du Bois himself debunked and warned against all of it, particularly the use of natural sciences to understand society. He was able to see how it was being used to maintain white supremacy. I suppose it is small wonder that Washington and Park together worked to marginalise Du Bois’s contribution to sociology, ‘render [his] scholarship invisible’. (137)

Engaged Scholarship

There follows a discussion of Du Bois as engaged scholar, he would of course go on to play a pivotal role at the head of the NAACP and the publisher (editor, writer) of The Crisis. This could be found in households across the country, unlike, say possibly, The Phildelphia Negro.

Part of this is Morris’s exploration of the role of intellectual schools and the importance of networks in developing ‘greatness’. Here is where engaged scholarship comes to the fore — as Du Bois was excluded from white networks (funding, position, publication in certain journals or collections, invitations to conferences and etc) and given his refusal to accept black inferiority, he found his own way through:

He developed counterhegemonic networks and a counterhegemonic form of capital that have not been identified or analyzed in the literature. (187)

Morris describes this as ‘liberation capital’, donations of time and money that sustained a counterhegemonic institution and its research. This underlay the Du Bois – Atalanta school and its impressive body of research, showing that that:

Merton and Collins are right to argue that intellectual networks and scientific settings such as universities are crucial to producing excellent science, Yet networks and institutional theory err in the assumptions that great science can be produced only in elite institutions… (192)

And this is the achievement of the Du Bois-Atlanta school, a large measure of the inspiration alongside and in addition to the awesomeness of their scholarship and the ways that they blazed a trail in the ways urban studies could be done. Not only are these historic achievements now slowly being recognized, but they remain of great theoretical importance. Just one example:

As Decker states, “The rereading of Du Bois’s works became the stating poin for critical whiteness in the United States in the late 1980s.” (220)

And of course, the question remains haunting academia and its continued embeddedness in a white elite setting despite the increase in diversity (and you just have to read Patricia Hill Collins or Angela Davis or bell hooks or any other number of scholars of colour to see just how difficult and precarious their situations remain)

To what extent do progressive white scholars of today unwittingly interject racist biases in their science even while believing they stand above prescientific racial assumptions? (221)

Eavan Boland’s Dublin

I did not know Eavan Boland before this, did not know Paula Meehan. I did know the exquisiteness of words, the occasional poet that tells my heart, spells my heart, rips rebuilds reweaves renews and changes the world for me. Gift-givers. Both of these women are such poets.

Instead I bought this book because they were writing cities.

I bought this book because I love Dublin, too. This post focuses on words and writers and cities, but I loved every word, every poem, the so-much-more, the different-for-all-of-us that lies in every line. Paula Meehan at the ends says ‘The way a poem lets you hold so much in mind’. Which is why each poem will forever be so much more than what I write here. This is an apology for narrowing them down really, for making too obvious how much this blog is to mark and capture things I hope to weave together sometime in the futures. Not tell how things are. I’d have to write poetry for that.

The intro is from editor Jody Allen Randolph, and situates everything nicely — there is so much to think about here:

What gives cities their unique identities? As this book will suggest, a city gets its identity not just from its buildings, its industries, its history, its public events, and its notable citizens. It also finds its identity from being imagined. The years, decades, centuries in which a city shapes its inhabitants add up to a rich life and afterlife of meaning and memory. Those meanings and memories requires language and expression (9).

She writes ‘We also understood that poets both find and give identity to the city…As editors, we imagined this book as a topography of the city with the poet…’ Thus poems arranged topographically not chronologically, in sections of river, city, suburb.

And this, a paradigm…I am never sure I like those, but this works better than most:

But we wanted to do more that just suggest the ways in which a poet has imagined a city over a span of four or five decades. We wanted to sketch out a paradigm for how a city is imagined. To this end, we envisioned a series of suggestive dialogues between text and image, and between poet and poet. (11)

And so a skimming of poetry, pulling bits and pieces that speak to the city and hopefully not damaging the whole and damn but you should go read them all anyway.

From City of Shadows, a reclaiming of the ordinary for poetry, so much of her work is about that.

I absorbed the sense that poetry was safe here in this city at twilight, with its violet sky and constant drizzle, within this circle of libraries and pubs and talks about stanzas and cadences. Beyond it was the ordinariness which could only dissipate it; beyond it was a life for which no visionary claim could be made. (13)

Except Boland makes this claim, scatters it in beauty and pain across the page.

Once in Dublin (my city of white pepper):

Small things
make the past.
Make the present seem out of place.

Unheroic

How do I know my country? Let me tell you
it has been difficult to do. And when I do
go back to difficult knowledge, it is not
to that street or those men raised
high above the certainties they stood on —
Ireland hero history — but how

I went behind the linen room and up
the stone stairs and climbed to the top.
And stood for a moment there, concealed
by shadows. In a hiding place.
Waiting to see. Wanting to look again.
Into the patient face of the unhealed. (19)

The Huguenot Graveyard at the Heart of the City

This city with its colours of sky and day —
and which is dear to us and particular —
was not a place to them: merely
the one witty step ahead of hate which

is all they could keep. Or stay. (21)

Migrations, our city through the eyes of others, an empathy with the plight of strangers. Everything our world lacks now.

Tree of Life

Wait
for dawn to make us clear to one another

Let the sun
inch above the roof-tops,

Let love
be the light that shows again

the blossom to the root. (27)

An Elegy For My Mother in Which She Scarcely Appears

as is my mother, on this Dublin evening of
fog crystals and frost as she reached out to test
one corner of a cloth for dryness as the prewar
Irish twilight closes in and down on the room
and the curtains are drawn and here am I,
not even born and already a conservationist,
with nothing to assist me but the last
and most fabulous of beasts — language, language —
which knows, as I do, that it’s too late
to record the loss of these things but does so anyway,
and anxiously, in case it shares their fate. (33)

Language, over and over it is language in many of the same ways other colonised people experience its loss, its erasure, the way it shapes experience and meaning. Much here reminded of Assia Djebar among others.

And Eavan Boland loves rivers too, and their complex relationship with the city, here a generative one.

Gifts of the River

I begin with the Liffey because a river is not a place: it is a maker of places. Without the river there would be no city. Every day, turning its narrow circle, endlessly absorbing and re-absorbing the shapes and reflections of the city, it mirrors what it created. With the river, the city every day has to throw itself again into those surfaces, those depths, those reflections which have served as the source of all its fictions. (43)

The Scar

Dawn on the River.
Dublin arises out of what reflects it.

Anna Liffey
looks to the east, to the sea, (45)

And here, I don’t know why I was surprised, happily, but so I was. Empire. Its complexities.

The Harbour

City of shadows and of the gradual
capitulations to the last invader
this is the final one: signed in water
and witnessed in granite and ugly bronze and gun-metal.

And by me. I am your citizen: composed of
your fictions, your compromise, I am
a part of your story and its outcome.
And ready to record its its contradictions. (55)

The Mother Tongue

The old pale ditch can still be seen
less than half a mile from my house–

its ancient barrier of mud and brambles
which mireth next unto Irishmen
is now a mere rise of coarse grass,
a rowan tree and some thinned-out spruce,
where a child is playing at twilight.

I stand in the shadows. I find it
hard to believe now that once
this was a source of our division:

Dug. Drained. Shored up and left
to keep out and keep in. That here
the essence of a colony’s defence
was the substance of the quarrel with its purpose:

Land. Ground. A line drawn in rain
and clay and the roots of wild broom–
behind it the makings of a city,
beyond it rumours of a nation–
by Dalkey and Kilternan and Balally
through two ways of saying their names.

***

I was born on this side of the Pale.
I speak with the forked tongue of colony.
But I stand in the first dark and frost
of a winter night in Dublin and imagine

my pure sound, my undivided speech
travelling to the edge of this silence.
As if to find me. And I listen: I hear
what I am safe from. What I have lost. (77)

The segregated spaces created by power, created for domination, the damage they do to hearts and lives:

Witness

Here is the city—
its worn-down mountains,
its grass and iron,
its smoky coast
seen from the high roads
on the Wicklow side.

From Dalkey Island
to the North Wall,
to the blue distance seizing its perimeter,
its old divisions are deep within it.

And in me also.
And always will be.

Out of my mouth they come:
The spurred and booted garrisons.
The men and women
they dispossessed.

What is a colony
if not the brutal truth
that when we speak
the graves open.

And the dead walk?

I am awe-struck by these poems. I sat, and then dragged myself back to the register of prose.

Glad I did. It is a wonderful conversation between the wonderful Paula Meehan, who crosses class boundaries and tells Eavan Boland:

I realised that an accent is not a politics…then it was, suddenly, both a political and a literary argument. About who writes the city. I began to see that the city you were writing into your poems was not a scenic backdrop for the working out of the drama of the self, that, in fact, your relationship was with the polis, with the power structures of the state as manifest in architecture, in statuary, in the suffered histories of the excluded as much as in the commemorated and sanctioned official histories. (98)

She responds:

…I was interested in looking at a city as a place where the ghosts of power are remembered and tested. For me these ghosts are often colonial. But sometimes they’re just the spirits of place. (98)

Paula:

I always puzzled at being told Irish poets have a great ‘sense of place‘. I suspected that underneath was an unstated ‘and you should stay in your place’. It felt like a simplification…It has become such a cliche that it masks, possibly drains of power, one of the most vital and crucial acts of the poet, the compact between the non-human and the human. Between the locale and its creatures, what waters and nourishes, as well as what threatens, what grows there. You mention ‘spirit of place’ and this rings truer to me than ‘sense of place’. We can trace this aspect of our work back to the Dinnseanchas, the responsibility we once had to enshrine, possibly encode, in language the lore and etymology of place. (98)

and again Paula on language:

And now consider the other games that are being played, when you sit down to work with a poem: with the language itself, English and its imperial nature, our resistant version of it, the beautiful words with their own histories, their ghosts; the play with the shape of the poem…The way a poem lets you hold so much in mind. That excites me. It’s the hit I get from making a poem. Why I go back again and again, craving the making.
Aren’t we always making the city up? The cities? (101)

and again

To walk the streets of the city was, is, to stroll at will through the layers of its making and its peopling, to learn to place a particular building withing its era…all that, and always the lives lived there.

But, I have a sense also of something else at work — a kind of dream city or dreaming city. It doesn’t exactly map on to any known verifiable place. It’s the private sonic Dublin each poet makes — the individual song of the self in place, the free self in the given place. Maybe that’s our true city? (104)

They talk of Joyce, Akhmatova, Flann O’Brien and The Charwoman’s daughter by James Stephens which I too loved with a great love. Paula is more like me, writes of poverty and housing, being put in place, always fighting. Which makes this conversation between two such different voices so rich.

Final words from Boland responding to Meehan’s raising of the power of words and voice, of poems as communal:

The adjective ‘communal’ has a related verb — an old-fashioned one — which is ‘communing’. A word I’ve always loved. And one, when you look at it, that’s quite a bit removed from the adjective that seems close to it. For me, even when a poem is not apparently communal, even when it seems to be private, it can still commune. In fact it may make a particularly strong community with a reader, and still not be communal, just by speaking to and of solitude…truly one of the great possibilities for the poem. (107)