Tag Archives: slavery

The Lusiads of Camões — Verse on the Conquering of Worlds

Luís Vaz de Camões was born in 1524 or 25, son of a ship’s captain who drowned off of Goa. He lived in Lisbon on the fringes of court writing poetry and plays, legend has it he fell in love with Catarine de Ataide (who married Vasco da Gama, the subject of the Lusiad just as she was the subject of Camões’s sonnets).

Pedro Americo, D. Catrine de Ataide, 1878

Portrait of navigator Vasco da Gama, viceroy of Portuguese parts captured in India, from the c.1565 compendium, Livro de Lisuarte de Abreu (Pierpont Morgan Library, M.525)

Exiled from the court, he joined the garrison in Ceuta (Morrocco) as a common solider, and it was there he lost his eye. He is always shown thus.

Between 1553-56 he sailed to India, took part in expeditions along the Malabar coast of India, in the Red Sea, along the African and Arabian coasts, visits Malacca and the Moluccas. In 1559 he was recalled to Goa, wrecked in the Mekong river where he lost everything but, legend tells us, the cantos of the Lusiads. He spent time in jail related to his post in Macau. Jailed again for debt. He kicks around until friends offer him passage back to Lisbon in 1570, and it is in 1572 the Lusiads are published. It is only then that ‘Camões [was] granted tiny royal pension for “the adequacy of the book he wrote on Indian matters (xxvi).”‘ It is not, I don’t think, what you might call a happy life.

Canto 1
Arms are my theme, and those matchless heroes
Who from Portugal’s far western shores
By oceans where none had ventured
Voyaged in Taprobana and beyond,
Enduring hazards and assaults
Such as drew on more than human prowess
Among far distant peoples, to proclaim
A New Age and win undying fame

Kings likewise of glorious memory
Who magnified Christ and Empire,
Bringing rain on the degenerate
Lands of Africa and Asia (1-2: 3);

As armas e os Barões assinalados
Que da Ocidental praia Lusitana
Por mares nunca de antes navegados
Passaram ainda além da Taprobana,
Em perigos e guerras esforçados
Mais do que prometia a força humana,
E entre gente remota edificaram
Novo Reino, que tanto sublimaram.

E também as memórias gloriosas
Daqueles Reis que foram dilatando
A Fé, o Império, e as terras viciosas
De África e de Ásia andaram devastando,

The whole of Os Lusiadas in Portuguese can be found here. It is written in a style heroic, celebrating the bravery and brutality of Vasco da Gama and his sailors. There is a strange invocation of Roman Gods and nymphs, an evocation of Empire that sits easier with the Portuguese project than Christianity — it seems obvious perhaps, yet I found it strange and fascinating both that the whole of it is couched in terms of Jupiter’s support of the Portuguese cause, Bacchus’s dissent and constant meddling.

Now you can watch them, risking all
In frail timbers on treacherous seas,
By routes never charted, and only
Emboldened by opposing winds;
Having explored so much of the earth
From the equator to the midnight sun.
They recharge their purpose and are drawn
To touch the very portals of the dawn

They were promised by eternal Fate
Whose high laws cannot be brokem
They should long hold sway in the seas…. (27-28:8)

«Agora vedes bem que, cometendo
O duvidoso mar num lenho leve,
Por vias nunca usadas, não temendo
de Áfrico e Noto a força, a mais s’atreve:
Que, havendo tanto já que as partes vendo
Onde o dia é comprido e onde breve,
Inclinam seu propósito e perfia
A ver os berços onde nasce o dia.

«Prometido lhe está do Fado eterno,
Cuja alta lei não pode ser quebrada,
Que tenham longos tempos o governo
Do mar que vê do Sol a roxa entrada.

Fate absolves them of everything and I love that they expect the hand of friendship wherever they go, despite their plan of conquest. This is at once a constant complaint of the lack of trust among strangers and a victorious poem of war against all unbelievers.

It is an eternal conundrum,
Unfathomable by human thought,
That those closest to God will never be
Lacking in some perfidious enemy! (71:17)
Ó segredos daquela Eternidade
A quem juízo algum não alcançou:
Que nunca falte um pérfido inimigo
Àqueles de quem foste tanto amigo!

Hilarious. Reminded me of Hugh Makesela singing ‘Vasco da Gama, he was no friend of mine‘ in Colonial Man. The other side to this whole poem, and the side to be on. But we continue.

Canto 2

In which they send prisoners out to reconnoiter — I’m not entirely sure of the wisdom of this, but I suppose they weren’t just going to run away? There seems to have been a choice among prisoners as well. Ah, the jolly life of the sea.

Even so, from among those prisoners
On board, sentenced for gross crimes
So their lives could be hazarded
In predicaments such as these,
He sent two of the cleverest, trained
To spy on the city and defences
Of the resourceful Muslims, and to greet
The famous Christian he so longed to meet. (7:26)
E de alguns que trazia, condenados
Por culpas e por feitos vergonhosos,
Por que pudessem ser aventurados
Em casos desta sorte duvidosos,
Manda dous mais sagazes, ensaiados,
Por que notem dos Mouros enganosos
A cidade e poder, e por que vejam
Os Cristãos, que só tanto ver desejam.

Venus worries for them, she intercedes with Jove, he lists the many victories they will have (there are many such stomach-turning lists).

Even the tough, formidable Turks
You will see consistently routed;
The independent kings of India
Will be subject to Portugal,
Bringing, when all falls under his command,
A better dispensation to that land (46:34)

‘You will see the famous Red Sea
Turning yellow from sheer fright; (49:34)

Os Turcos belacíssimos e duros
Deles sempre vereis desbaratados;
Os Reis da Índia, livres e seguros,
Vereis ao Rei potente sojugados,
E por eles, de tudo enfim senhores,
Serão dadas na terra leis milhores.

«E vereis o Mar Roxo, tão famoso,
Tornar-se-lhe amarelo, de enfiado;

They will take Ormuz, Diu

‘Goa, you will see, seized from the Muslims
And come in the fullness of time to be
Queen of the Orient, raised up
By the triumphs of her conquerors.
From that proud, noble eminence,
They will rule with an iron fist
Idol-worshiping Hindus, and everyone
Throughout that land with thoughts of rebellion (51:35)
«Goa vereis aos Mouros ser tomada,
A qual virá despois a ser senhora
De todo o Oriente, e sublimada
Cos triunfos da gente vencedora.
Ali, soberba, altiva e exalçada,
Ao Gentio que os Ídolos adora
Duro freio porá, e a toda a terra
Que cuidar de fazer aos vossos guerra.

They will take the fortress of Cannanore, Calicut, Cochin

‘As the very ocean boils with the fires
Ignited by your people, Battling
Taking both Hindu and Muslim captive,
Subduing the different nations

Until every sea-way is subservient (54:35)
«Como vereis o mar fervendo aceso
Cos incêndios dos vossos, pelejando,
Levando o Idololatra e o Mouro preso,
De nações diferentes triunfando;

Ser-lhe-á todo o Oceano obediente.

Canto 3

In which da Gama gives a brief history of Portugal, ‘noble Iberia, The head, as it were, of all Europe’ (17: 51) to a Muslim Sultan. That doesn’t stop him from insulting the moors often and deeply of course, though he mentions that among them were Amazons (44:56). That’s cool.

Canto 4

In which Manuel the king of Portugal has a dream…

‘I am the famous Ganges whose waters
Have their source in the earthly paradise;
This other is the Indus, which springs
In this mountain which you behold.
We shall cost you unremitting war,
But perservering, you will become
Peerless in victory, knowing no defeat,
Conquering as many peoples as you meet.’ (74:91)

The king summoned the lords to council
To tell of the figures of his dream;
The words spoken by the venerable saint
Were a great wonder to them all.
They resolved at once to equip
A fleet and an intrepid crew,
Commissioned to plough the remotest seas
To explore new regions, make discoveries. (76:92)

«Eu sou o ilustre Ganges, que na terra
Celeste tenho o berço verdadeiro;
Estoutro é o Indo, Rei que, nesta serra
Que vês, seu nascimento tem primeiro.
Custar-t’ -emos contudo dura guerra;
Mas, insistindo tu, por derradeiro,
Com não vistas vitórias, sem receio
A quantas gentes vês porás o freio.»

«Chama o Rei os senhores a conselho
E propõe-lhe as figuras da visão;
As palavras lhe diz do santo velho,
Que a todos foram grande admiração.
Determinam o náutico aparelho,
Pera que, com sublime coração,
Vá a gente que mandar cortando os mares
A buscar novos climas, novos ares.

They asked for it you see.

But then there is an odd counterpoint, an old man calling out to them as they depart from Belem

–‘O pride of power! O futile lust
For that vanity known as fame!
That hollow conceit which puffs itself up
And which popular cant calls honour!
What punishment, what poetic justice,
You exact on sou;s that pursue you!
To what deaths, what miseries you condemn
Your heroes! What pains you inflict on them!

‘You wreck all peace of soul and body,
You promote separation and adultery;
Subtley, manifestly, you consume
The wealth of kingdoms and empires!
They call distinction, they call honour
What deserves ridicule and contempt;
They talk of glory and eternal fame,
And men are driven frantic by a name!

‘To what new catastrophes do you plan
To drag this kingdom and tehse people?
What perils, what deaths have you in store
Under what magniloquent title?
What visions of kingdoms and gold-mines
Will you guide them to infallibly?
What fame do you promise them? What stories?
What conquests and processions? What glories? (95-97:96)
***
‘Already in this vainglorious business
Delusions are possessing you,
Already ferocity and brute force
Are labelled strength and valour,
The heresy “Long live Death!” is already
Current among you, when life should always
be cherished, As Christ in times gone by
Who gave us life was yet afraid to die. (99:96)
***
‘The devil take the man who first put
Dry wood on the waves with a sail! (102: 97)

– «Ó glória de mandar, ó vã cobiça
Desta vaidade a quem chamamos Fama!
Ó fraudulento gosto, que se atiça
Cũa aura popular, que honra se chama!
Que castigo tamanho e que justiça
Fazes no peito vão que muito te ama!
Que mortes, que perigos, que tormentas,
Que crueldades neles experimentas!

«Dura inquietação d’alma e da vida
Fonte de desemparos e adultérios,
Sagaz consumidora conhecida
De fazendas, de reinos e de impérios!
Chamam-te ilustre, chamam-te subida,
Sendo dina de infames vitupérios;
Chamam-te Fama e Glória soberana,
Nomes com quem se o povo néscio engana!

«A que novos desastres determinas
De levar estes Reinos e esta gente?
Que perigos, que mortes lhe destinas,
Debaixo dalgum nome preminente?
Que promessas de reinos e de minas
D’ ouro, que lhe farás tão facilmente?
Que famas lhe prometerás? Que histórias?
Que triunfos? Que palmas? Que vitórias?

***

«Já que nesta gostosa vaïdade
Tanto enlevas a leve fantasia,
Já que à bruta crueza e feridade
Puseste nome, esforço e valentia,
Já que prezas em tanta quantidade
O desprezo da vida, que devia
De ser sempre estimada, pois que já
Temeu tanto perdê-la Quem a dá:

***

«Oh, maldito o primeiro que, no mundo,
Nas ondas vela pôs em seco lenho!

And they just sail away as he speaks. But I wondered if that were not perhaps exactly what Camões himself thought, maybe that is the heart of this epic poem, this old man railing against violence and pride. Against the colonial project. There are echoes of this throughout.

Canto 5

He describes Madeira — known for its great forests. Soon to be cut down and forgotten. The Numidian desert of the Berber people, a land where ostriches digest iron in their stomachs! The Senegal river, Asinarus that they have rechristened Cape Verde. The Canary Islands, once called the Fortunate Isles. It is a map, this poem. They pass Jalof province, Mandingo…

Off the River Niger, we distinctly heard
Breakers pounding on beaches that are ours
***

There the mighty kingdom of the Congo
Has been brought by us to faith in Christ,
Where the Zaire flows, immense and brimming,
A river never seen by the ancients.
From this open sea I looked my last
At the constellations of the north.
For we had now crossed the burning line
Which marks division in the earth’s design (12-13:100)
O grande rio, onde batendo soa
O mar nas praias notas, que ali temos,
***

«Ali o mui grande reino está de Congo,
Por nós já convertido à fé de Cristo,
Por onde o Zaire passa, claro e longo,
Rio pelo antigos nunca visto.
Por este largo mar, enfim, me alongo
Do conhecido Pólo de Calisto,
Tendo o término ardente já passado
Onde o meio do Mundo é limitado.

This…oh man, there is so much in here isn’t there. The view of the other, the incomparable arrogance, the initimitable violence, the begginings of this trade in beads and baubles founded on a lack of respect for a culture that cares not for forks or gold.

I saw a stranger with a black skin
They had captured, making his sweet harvest
Of honey from the wild bees in the forest.

He looked thunderstruck, like a man
Never placed in such an extreme;
He could not understand us, nor we him
Who seemed wilder than Polyphemus.
I began by showing him pure gold
The supreme metal of civilisation,
Then fine silverware and hot condiment:
Nothing stirred in the brute the least excitement.

I arranged to show him simpler things:
Tiny beads of transparent crystal,
Some little jingling bells and rattles,
A red bonnet of a pleasing colour;
I saw at once from nods and gestures
That these had made him very happy.
I freed him and let him take his pillage,
Small as it was, to his nearby village.

The next day his fellows, all of them
Naked, and blacker than seemed possible,
Trooped down the rugged hillside paths
Hoping for what their friend had obtained.
They were so gentle and well-disposed (27-30:103)

Vejo um estranho vir, de pele preta,
Que tomaram per força, enquanto apanha
De mel os doces favos na montanha.

«Torvado vem na vista, como aquele
Que não se vira nunca em tal extremo;
Nem ele entende a nós, nem nós a ele,
Selvagem mais que o bruto Polifemo.
Começo-lhe a mostrar da rica pele
De Colcos o gentil metal supremo,
A prata fina, a quente especiaria:
A nada disto o bruto se movia.

«Mando mostrar-lhe peças mais somenos:
Contas de cristalino transparente,
Alguns soantes cascavéis pequenos,
Um barrete vermelho, cor contente;
Vi logo, por sinais e por acenos,
Que com isto se alegra grandemente.
Mando-o soltar com tudo e assi caminha
Pera a povoação, que perto tinha.

«Mas, logo ao outro dia, seus parceiros,
Todos nus e da cor da escura treva,
Decendo pelos ásperos outeiros,
As peças vêm buscar que estoutro leva.
Domésticos já tanto e companheiros

They continue on, still on. And then the Cape of Storms rises up embodied before them, grotesque, and again all the contradictions in this colonial project come rising to the surface with him.

‘Because you have descrated nature’s
Secrets and the mysteries of the deep
Where no human, however noble
Or immortal his worth, should trespass
Hear from me now what retribution
Fate presrcibes for your insolence,
Whether ocean-borne, or along the shores
You will subjegaute with your dreadful wars

‘No matter how many vessels attempt
The audacious passage you are plotting
My cape will be implacably hostile
With gales beyond any you have encountered (42-3:106)

«Pois vens ver os segredos escondidos
Da natureza e do húmido elemento,
A nenhum grande humano concedidos
De nobre ou de imortal merecimento,
Ouve os danos de mi que apercebidos
Estão a teu sobejo atrevimento,
Por todo o largo mar e pola terra
Que inda hás-de sojugar com dura guerra.

«Sabe que quantas naus esta viagem
Que tu fazes, fizerem, de atrevidas,
Inimiga terão esta paragem,
Com ventos e tormentas desmedidas;

The spirit describes the Portuguese need to atone for ‘his bloody crimes, the massacre | Of Kilwa, the leveling of Mombasa (45:107).

Unexpected. These are celebrated later on but only after this first mention, the cost of what they are doing, its criminal aspect. The more I look at the poem the more I am intrigued by this very slender thread of self-knowledge of crimes inflicted against man and earth.

Canto 6

Sail on and sail on. Past a succession of sultans who lie and cheat the Portuguese until they come to Mozambique, where finally the Sultan fulfills his promise to give them guides. There is a meeting of the gods under the sea, summoned by Triton. And I love this passage

The hairs of his beard and the hair
Falling from his head to his shoulders
Were all one mass of mud, and visibly
Had never been touched by a comb;
Each dangling dreadlock was a cluster
Of gleaming, blue-black mussels.
On his head by way of coronet, he wore
The biggest lonbster-shell you ever saw.

His body was naked, even his genitals
So as not to impede his swimming,
But tiny creatures of the sea
Crawled over him by the hundreds;
(17:122)

Os cabelos da barba e os que decem
Da cabeça nos ombros, todos eram
Uns limos prenhes d’ água, e bem parecem
Que nunca brando pêntem conheceram.
Nas pontas pendurados não falecem
Os negros mexilhões, que ali se geram.
Na cabeça, por gorra, tinha posta
Ũa mui grande casca de lagosta.

O corpo nu, e os membros genitais,
Por não ter ao nadar impedimento,
Mas porém de pequenos animais
Do mar todos cobertos, cento e cento:

They are becalmed, and the strangest tale told of Magrico, in which John of Gaunt who has been allied with King Joao summons twelve Portuguese knights to represent the ladies in a joust for their honour and the knights win of course…I suppose it is just to tie Portugal closer to their English allies, but so curious.

Canto 7 — A last listing of Portuguese possessions after an excoriation of the infighting between Christians — the Reformation I imagination, he is particularly upset at the Germans. Canto 8, the treachery of the Muslims. Chapter 9 finally they head home, with reflections on all they had won — lands mapped, men and spices pillaged and plundered.

He sailed by the south coast, reflecting
He had laboured in vain for a treaty
Of friendship with the Hindu king,
To guarantee peace and commerce;
But at least those lands stretching
To the dawn were now known to the world,
And at long last his men were homeward bound
With proofs on board of the India he had found.

For he had some Malabaris siezed
From those dispatched by the Samorin
When he returned the imprisoned factors;
He had hot peppers he had purchased;
There was mace from the Banda Islands;
Then nutmeg and black cloves, pride
Of the new-found Moluccas, and cinammon,
the wealth, the fame, the beauty of Ceylon. (13-14:179)

Parte-se costa abaxo, porque entende
Que em vão co Rei gentio trabalhava
Em querer dele paz, a qual pretende
Por firmar o comércio que tratava;
Mas como aquela terra, que se estende
Pela Aurora, sabida já deixava,
Com estas novas torna à pátria cara,
Certos sinais levando do que achara.

Leva alguns Malabares, que tomou
Per força, dos que o Samorim mandara
Quando os presos feitores lhe tornou;
Leva pimenta ardente, que comprara;
A seca flor de Banda não ficou;
A noz e o negro cravo, que faz clara
A nova ilha Maluco, co a canela
Com que Ceilão é rica, ilustre e bela.

And then Venus, who owns many of these islands, prepares one for these heroes. She fills it with nymphs who are theirs for the taking.

There she intended the sea nymphs
Should wait upon the mighty heroes
–All of them lovely beyond compare,
***
So with redoubled zeal, each would endeavour
To please her beloved mariner, whoever…(22: 181)

But make way, you steep, cerulean waves
For look, Venus brings the remedy,
In those white, billowing sails
Scudding swiftly over Neptune’s waters;
Now ardent loving can assuage
Female passion… (49: 186)

Ali quer que as aquáticas donzelas
Esperem os fortíssimos barões
(Todas as que têm título de belas,
***
Pera com mais vontade trabalharem
De contentar a quem se afeiçoarem.

Dai lugar, altas e cerúleas ondas,
Que, vedes, Vénus traz a medicina,
Mostrando as brancas velas e redondas,
Que vêm por cima da água Neptunina.
Pera que tu recíproco respondas,
Ardente Amor, à flama feminina,

the sailors land and go chasing their nymphs through the forest — Tethys takes da Gama to the mountain to show him ‘the still-unmapped continents’ and ‘seas unsailed’ and ‘There they passed the long day | In sweet games and continuous pleasure.’ It seems to me all one elaborate metaphor of rape that he explains thus:

For the ocean nymphs in all their beauty,
Tethys, and the magic painted island,
Are nothing more than those delghtful
Honours, which make our lives sublime.
Those glorious moments of pre-eminence (89:194)
Que as Ninfas do Oceano, tão fermosas,
Tétis e a Ilha angélica pintada,
Outra cousa não é que as deleitosas
Honras que a vida fazem sublimada.
Aquelas preminências gloriosas,

It makes me feel sick really, this treating as parable what these European sailors in reality took as divine right and with violence wherever they landed.

Canto 10

This canto contains the great summation of death and destruction the Portuguese will wreck upon the world from the lips of Venus. I’ve just pulled some of the highlights out, more feeling sick:

The goddess sang that from the Tagus,
Over the seas da Gama had opened,
Would come fleets to conquer all the coast
Where the Indian Ocean sighs;
Those Hindu Kings who did not bow
Their necks to the yoke would incite
The wrath of an implacable enemy,
Their choice to yield or, on an instant, die (10:199)

Pacheco will not only hold the fords,
But burn towns, houses, and temples;
Inflamed with anger, watching his cities
One by one laid low, that dog
Will force his men, reckless of life,
To attack both passages at once, (16:200)

Together, by the power of arms,
They will castigate fertile Kilwa,
Driving out its perfidious princeling
To impose a loyal and humane King

‘Mombasa too, furnished with such
Palaces and sumptuous houses,
Will be laid waste with iron and fire,
In payment for its former treachery
(26-27:202)

But it is Emir Hussein’s grappled fleet
Bears the brunt of the avenger’s anger,
As arms and legs swim in the bay
Without the bodies they belonged to;
Bolts of fire will make manifest
The passionate victors’ blind fury (36:204)

But what great light’“ do I see breaking,’
Sang the nymph and in a higher strain,
‘Where the seas of Malindi flow crimson
With the blood of Lamu, Oja, and Brava? (39:205)

‘That light, too, is from Persian Ormuz
From the fires and the gleaming arms
Of Albuquerque as he rebukes them
For scorning his light, honourable yoke. (40:205)

‘Not all that land’s mountains of salt
Can preserve from corruption the corpses
Littering the beaches, choking the seas
Of Gerum, Muscat, and Al Quraiyat,
Till, by the strength of his arm, they learn
To bow the neck as he compels
That grim realm to yield, without dispute,
Pearls from Bahrain as their annual tribute. (41:205)

Renowned, opulent Malacca!
For all your arrows tipped with poison,
The curved daggers you bear as arms,
Amorous Malays and valiant Javanese
All will be subject to the Portuguese (44:205)

Having cleared India of enemies
He will take up the viceroy’s sceptre

For all fear him and none complain,
Except Bhatkal, which brings on itself
The pains Beadala already suffered;
Corpses will strew the streets, and shells burst
As fire and thundering cannon do their worst.(66:210)

Cantava a bela Deusa que viriam
Do Tejo, pelo mar que o Gama abrira,
Armadas que as ribeiras venceriam
Por onde o Oceano Índico suspira;
E que os Gentios Reis que não dariam
A cerviz sua ao jugo, o ferro e ira
Provariam do braço duro e forte,
Até render-se a ele ou logo à morte.

Já não defenderá sòmente os passos,
Mas queimar-lhe-á lugares, templos, casas;
Aceso de ira, o Cão, não vendo lassos
Aqueles que as cidades fazem rasas,
Fará que os seus, de vida pouco escassos,
Cometam o Pacheco, que tem asas,

A Quíloa fértil, áspero castigo,
Fazendo nela Rei leal e humano,
Deitado fora o pérfido tirano.

«Também farão Mombaça, que se arreia
De casas sumptuosas e edifícios,
Co ferro e fogo seu queimada e feia,
Em pago dos passados malefícios.

«Mas a de Mir Hocém, que, abalroando,
A fúria esperará dos vingadores,
Verá braços e pernas ir nadando
Sem corpos, pelo mar, de seus senhores.
Raios de fogo irão representando,
No cego ardor, os bravos domadores.

«Mas oh, que luz tamanha que abrir sinto
(Dizia a Ninfa, e a voz alevantava)
Lá no mar de Melinde, em sangue tinto
Das cidades de Lamo, de Oja e Brava,

«Esta luz é do fogo e das luzentes
Armas com que Albuquerque irá amansando
De Ormuz os Párseos, por seu mal valentes,
Que refusam o jugo honroso e brando.

«Ali do sal os montes não defendem
De corrupção os corpos no combate,
Que mortos pela praia e mar se estendem
De Gerum, de Mazcate e Calaiate;
Até que à força só de braço aprendem
A abaxar a cerviz, onde se lhe ate
Obrigação de dar o reino inico
Das perlas de Barém tributo rico.

Opulenta Malaca nomeada.
As setas venenosas que fizeste,
Os crises com que já te vejo armada,
Malaios namorados, Jaus valentes,
Todos farás ao Luso obedientes.»

«Tendo assi limpa a Índia dos imigos,
Virá despois com ceptro a governá-la
Sem que ache resistência nem perigos,
Que todos tremem dele e nenhum fala.
Só quis provar os ásperos castigos
Baticalá, que vira já Beadala.
De sangue e corpos mortos ficou cheia
E de fogo e trovões desfeita e feia.

A reminder that in it all, it is the women who are always promised as plunder.

This was not the crime of incest
Nor the violent abuse of a virgin,
Still less of hidden adultery
For this was a slave, anyone’s woman. (47:206)

All these heroes, and others worthy
In different ways of fame and esteem,
Performing great feats in war
Will taste this island’s pleasures,
Their sharp keels cutting the waves
Under triumphant banners, to find
These lovely nymphs (73:211)

Não será a culpa abominoso incesto
Nem violento estupro em virgem pura,
Nem menos adultério desonesto,
Mas cũa escrava vil, lasciva e escura,

«Estes e outros Barões, por várias partes,
Dinos todos de fama e maravilha,
Fazendo-se na terra bravos Martes,
Virão lograr os gostos desta Ilha,
Varrendo triunfantes estandartes
Pelas ondas que corta a aguda quilha;
E acharão estas Ninfas …

And then she bids Portugal look West, not just East. Don’t, you say. Don’t. But of course they did. This is the monument in Belem that marks where all of these conquerors set out with their swords. Hardly surprising it was built under the dictator Salazar, and rises above a great cartographic rose given them by the apartheid state of South Africa.

Lisbon

Slavery and the Industrial Revolution: Liverpool, Glasgow, Bristol, Manchester in Eric Williams

This is long past due. Part 2 of Eric Williams writing about the direct links between these cities I know and love and the horrors of slavery.

Liverpool

Where much of the story begins really.

The story of this increase in the slave trade is mainly the story of the rise of Liverpool. Liverpool’s first slave trader, a modest vessel of thirty tons, sailed for Africa in 1709…by the end of the century, gained Liverpool the distinction of being the greatest slave trading port in the Old World. (34)

Now for a list of leading slave traders, I like naming names because these are the kind of names you find everywhere — not least statues, plaques: Bryan Blundell, trustee, treasurer, chief patron and most active supporter of the Blue Coat Hospital. Foster Cunliffe, who with his sons owned 4 ships capable of holding 1120 slaves — another supporter of the charity. Thomas Leyland, mayor of Liverpool, one of the most active traders with immense profits, became senior partner in the banking firm of Clarkes and Roscoe.

John Gladstone — partner in Corrie and Company, engaged in the grain trade, also a slave owner. Through foreclosures acquired large plantations in British Guiana and Jamaica, also involved in trade in sugar and other produce. Opened up trade connections with Russia, India and China on the back of it. Prominent public figure as was his son, William Ewart.

Heywood bank founded on slave profits, later the family married and mingled with the Gladstone family, future generations would be bankers.

On the physical form of the city:

It was a common saying that several of the principal streets of Liverpool had been marked out by the chains, and the walls of the houses cemented by the blood, of the African slaves., and one house was nicknamed “Negro Row.” The red brick Customs House was blazoned with Negro heads.

Where Bristol moved to focus on sugar, Liverpool remained with  slaves (though one family there also manufactured sugar — the house of Branckers, but of course they were also involved in the slave trade). It was intimately connected with rest of Lancashire, and with Manchester. Abolitionists might have blamed the rise of Liverpool on the rise of manufacturing drawing larger populations to Lancashire and Manchester, but in fact it was exactly the opposite. Manufacturing arose from the profits of slavery.

There was a whole, horrible industry surrounding slavery. I had never thought of it, but of course someone had to make the chains.

The ironmaster’s interest in the slave trade continued throughout the century. When the question of abolition came before Parliament, the manufacturers of and dealers in iron, copper, brass and lead in Liverpool petitioned against the project, which would affect employment in the town… (84)

Bristol

As stated above:

When Bristol was outstripped in the slave trade by Liverpool, it turned its attention from the triangular trade to the direct sugar trade (61).

Clever losers, Bristol.

There is a brilliant story about Judge Jeffreys ‘the butcher’, an awful man who sentenced many to die. I don’t want there to be a ‘but’ and there isn’t really I suppose. Judge Jeffreys did come to Bristol once to ‘sweep it clean’ by going after those who kidnapped people to send them to the colonies. While he was presiding over the court, he forced the mayor himself into the dock, called him a kidnapper and sentenced him to a fine of a thousand pounds.

But back to sugar, and Bristol’s intimate connections with the West Indies:

…so important did the islands become to Bristol that for the first half of the nineteenth century Bristol was always represented in Parliament by a West Indian–a Baillie, a Protheroe, or a Miles. (62)

Naming names again. There were also the Pinneys in Bristol, owning sugar plantations on Nevis. This connection meant that by 1799 there were 20 sugar refineries in Bristol, and in total more sugar processed than London (although 80 refineries were to be found there). It was also considered of finer quality, and sugar long remained one of the staples of Bristol. (74)

Bristol expanded into other areas, and the city was the main manufacturer of Pacotille — the principal cargo sent to Africa to use to buy slaves. It is a catch-all term I didn’t know before, included glass beads and bottles. Williams writes:

Individually these items were of negligible value; in the aggregate they constituted a trade of great importance, so essential a part of the slave transactions that the word “pacotille” is still commonly used in the West Indies today to denote a cheap and tawdry bauble given as compensation for objects of great value. (81)

A new word, such a good word, capitalism in a word.

Speaking of capitalism, like the ironmongers of Liverpool, manufacturing in Bristol throve. Iron of course, was also used, along with copper items from Bristol’s Holywell works. They made chains, manacles and rings.

Glasgow

This I didn’t know:

Not until the Act of Union of 1707 was Scotland allowed to participate in colonial trade. That permission put Glasgow on the map. Sugar and tobacco underlay the prosperity of the town in the eighteenth century. Colonial commerce stimulated the growth of new industries. (64)

While primarily associated with tobacco, Glasgow was also involved in sugar refining. All for love, too. If you can fall in love wtith slave owners. But Glasgow became one of the leading ports of entry for West Indian sugar after two officers, Colonel William Macdowall and Major James Milliken wooed and married two great sugar heiresses while staying in St Kitts. Mrs Tovie and her daughter forged a bond with Scotland that shaped the city. I confess I am a little intrigued.

Birmingham

Not much to say about Birmingham, I’ve not spend much time there, but there is this:

Guns formed a regular part of every African cargo. Birmingham became the center of the gun trade as Manchester was of the cotton trade. (82)

It had to compete with London for this though.

Manchester

Finally my current city of residence. Our own leading slave traders: Arthur Heywood, both slave trader & the first to import slave-grown cotton from the US, also treasurer of the Manchester Academy, one son a member of the Literary and Philosophical Society and the Billiard Club (apparently the very height of gentlemanliness in Manchester). Again, to return to links between slavery and the rise of capitalism:

It was only the capital accumulation of Liverpool which called the population of Lancashire into existence and stimulated the manufactures of Manchester. That capital accumulation came from the slave trade, whose importance was appreciated more by contemporaries than by later historians.  (63)

It did all come down to cotton. What the building of ships for the transport of slaves did for eighteenth century Liverpool, the manufacture of cotton goods for the purchase of slaves did for eighteenth century Manchester.

Manchester goods for Africa were taken to the coast in the Liverpool slave vessels. Lancashire’s foreign market meant chiefly the West Indian plantations and Africa…It was this tremendous dependence on the triangular trade that made Manchester. (68)

This despite the initial strength of superior Indian cottons and their superior dying processes. Even so:

[A]ccording to estimates given to the Privy Council in 1788, Manchester reported annually to Africa goods worth £200,000, £180,000 of this for Negroes only; the manufacture of these goods represented an investment of £300,000 and gave employment to 180,000 men, women, and children. (70)

The same close connections weren’t as evident as those between ship-builders and slave trading in Liverpool, but at least two cotton manufacturers were also members of the Company of Merchants trading to Africa — Sir William Fazackerly and Samuel Touchet. Another firm, the Hibberts, owned sugar plantations in Jamaica, while also supplying goods to African Company for the slave trade.

Above all Manchester was part of this shift from Mercantilism to Industrial Capitalism:

Between 1785 and 1800, eighty-two steam engines were constructed for cotton mills, fifty-five of these in Lancashire alone.” The first steam loom factory was built in Manchester in 1806. In 1835 there were 116,8oo power looms in all Great Britain, all but six per cent in the cotton industry

In 1785 the exports of British cotton manufactures exceeded one million pounds in value; they were thirty-one million in 1830. The cloth printed in Great Britain increased from 20 million yards in 1796 to 347 million in 1830. The population employed by the industry rose from 350,000 in 1788 to 800,000 in 1806. There were 66 cotton mills in Manchester and Salford in 1820, 96 in 1832. Cotton was “raising men like mushrooms.” Oldham in 1760 was a village of 400 inhabitants; in 1801 it had 20,000. In 1753 Bolton had a single, rough, ill-paved street; in 1801 the population was 17,000. Manchester’s population increased sixfold between 1773 and 1824.. Cotton weavers and manufacturer, unrepresented in the Manchester procession of trades in 1763 on the occasion of the coronation of George II, were the most prominent feature of the coronation of George IV in 1820. In a larger sense it was the coronation of King Cotton. (128)

Manchester in fact was a leader in the fight for free trade once strict controls ceased to make it profits:

If Manchester still thrived on “shirts for black men,” the British West Indies had no monopoly on blacks, and the larger slave populations of the United States and Brazil offered attractive markets….of what use, then, asked Manchester in wrath, was the system of monopoly to the British manufacturer? (133)

 

I am still fascinated by this shift but write more in part 1. Still, to recap it all, and what that mean for these growing urban centres:

Williams gives the example of the career of Mark Phillips. In 1832 elected to represent Manchester in Reformed Parliament. Connected to West Indian interests, but still decided to stand behind abolition. Industrialists lined up also, gives example of Samuel Garbett, ironmaster of Birmingham.  John Bright of Cotton. Richard Cobden in wool. Liverpool too, turned against slave trade and sugar. Not, to be sure, against slavery itself and cotton. Glasgow too turned, ‘The days of Macdowall and the sugar heiresses were over.’ (163)

[Williams, Eric (1989 [1944]) Capitalism and Slavery. London: Andre Deutsch.]

Eric Williams: Capitalism and Slavery

Eric Williams on Capitalism and Slavery is, of course, a classic, and yet another one I wish I had read some time ago. It’s key points — racism emerged out of the economic relationships of slavery, not slavery from racism. That economics remained primary to the motivations of UK statesmen as they first instituted then abolished slavery, as they supported Colonialism, turned against it, then returned to the carving up of Africa. I am more used to the complexities of culture and hegemony and social formations in thinking about race and capitalism, they are still at play here but not explored as much as they are elsewhere. That doens’t stop this from being bad ass.

A quick overview of the narrative, that cuts much out for which I apologise.

Origin of Negro Slavery

Eric Williams notes how the practice of white indentured servitude prepared the way for slavery — and no, it wasn’t the same. But it established  a profitable pattern that could be improved upon.

The servant expected land at the end of his contract: the Negro, in a strange environment, conspicuous by his color and features, and ignorant of the white man’s language and ways, could be kept  permanently divorced from the land. Racial differences made it easier to justify and rationalize Negro slavery, to exact the mechanical obedience of a plough-ox or a cart-horse, to demand that resignation and that complete moral and intellectual subjection which alone make slave labor possible. finally, and this was the decisive factor, the Negro slave was cheaper. The money which procured a white man’s service for ten years could buy a Negro for life. .. But the experience with white servitude had been invaluable…white servitude was the historic base upon which Negro slavery was constructed.

Here, then, is the origin of Negro slavery. The reason was economic, not racial… (19)

The crux of it all really, but there is so much more here of course. A little on the rationalisations of the times. Climate is a familiar one — it was just too hot and unhealthy for Europeans. But really, all that indentured white servitude had already proved that wrong. As the economy came to be all about sugar in the Carribean, tobacco and cotton on the mainland, plantations grew and labour needs changed.

I can still be shocked by how quickly these changes took place, how fast small farms (and the hopes and dreams of white men often fleeing desperate poverty, even if founding their dreams on conquest) were swallowed up by big ones: Barbados in 1645 — 11,200 small white farmers, 18,300 whites fit to bear arms and 5,680 Negro slaves; 1667 — 745 large plantation owners, 8,300 whites fit to bear arms, and 82,023 slaves (23). I can’t actually imagine that shift in 27 years. This happened on island after island. Nevis, white men decreased by 3/5 between 1672 and 1708, Montserrat over 2/3 between 1672 and 1727 (24). We see a steady process of the dispossession of the dispossessors in a way that works contrary to all myths of meritocracy and promise, even if you are able to take at face value a civilization based on enslavement, rape and genocide.

The end of slavery did not mean the end of the plantation. But Black people got the hell out of there, whites were too high status for that work, so new labour sources had to be found — East Indians. Trinidad imported 145,000 East Indians, British Guiana 238,000 between 1833 and 1917. It boggles the mind. These things boggle my mind even now.

The Development of the Negro Slave Trade

Of course, slavery was a long time developing. The 1st English slave-trading expedition was led by Sir John Hawkins, 1562. It continued, though in a small way, until the establishment of the Caribbean colonies and the introduction of sugar. Eric Williams, like Rodney Walters, ties the development of England tight to the slave trade and its destruction of Africa and the New World, one country profiting from the exploitation of many others. I am going to depart from Williams here to separate out the different cities, trace their individual connections. But without forgetting how they are woven into the whole of this history — see post two for that. This initial step was under the banner of mercantilism.

The slave trade [as compared to East India or China] was ideal in that it was carried on by means of British manufactured goods and was, as far as the British colonies were concerned, inseparably connected with the plantation trade which rendered Britain independent of foreigners for her supply of tropical products. (37)

Under such a profitable system, the courts very quickly inscribed the lives and bodies of slaves as property, Judge Mansfield ruling in 1783 that ‘the case of slaves was the same as if horses had been thrown overboard‘ and awarding thirty pounds to the ship’s investors for each of the 132 slaves thrown overboard when the vessel grew short of water. No homicide charges were contemplated. (46)

British Commerce and the Triangular Trade

So Williams moves on to the rise of the triangle trade we learned about in school, returned to it all of the horror our textbooks stripped away along with a deeper understanding of its profitability: (1) Negroes purchased with British manufactures, (2) transported to plantations to produce tropical goods which created new industries in England, and (3) their maintenance and that of their owners provided another market for British industry, new England agriculture and Newfoundland fishing industries. This wealth did more:

The profits obtained provided one of the main streams of that accumulation of capital in England which financed the Industrial Revolution. (52)

This led to the growth of Bristol, Liverpool, and Glasgow first, that would go on to be invested in manufacture and machinery. Thus these cities of original wealth ‘occupied…the position in the age of trade that Manchester, Birmingham and Sheffield occupied later in the age of industry‘ (60). I learned more about British manufacturing here than I ever knew before.

Until the tremendous development of the cotton industry in the Industrial Revolution, wool was the spoiled child of English manufactures. It figured largely in all considerations affecting the slave trade in the century after 1680. The cargo of a slave ship was incomplete without some woolen manufactures–serges, says, perpetuanos, arrangoes and bays. (65)

Which led to some absurdities still with us as a manner of custom:

That woolen goods should figure so prominently in tropical markets is to be attributed to the deliberate policy of mercantilist England. … Woolen undergarments are still common in the islands today, though more among the older generation, and suits of blue serge are still a sign of the well-dressed man. (67)

The West Indian Interest

And so for a while, before this rise of the industrial revolution, the West Indian planter was the great wealth and power, and they much preferred England.

The West Indian planter was a familiar figure in English society in the eighteenth century. The explanation lies in the absentee landlordism which has always been the curse of the Caribbean and s still one of its major problems today. (85)

The curse of the absentee landlord seems ubiquitous. There is also this:

The wealth of the West Indians became proverbial. (91)

They held a monopoly of all seats but one in Bristol for a long time, and represented various other areas in parliament, which I can also still find bewildering. For example, John Gladstone represented Woodstock then Lancaster:

it was his pleasure to listen in May, 1833, to the maiden speech of his son, MP for Newark, in defense of slavery on the family states in Guiana. (93)

These families of slave-generated wealth also entrenched themselves in the House of Lords, and married into high families — ‘There are few, if any, noble houses in England…without a West Indian strain.’ (94)

British Industry and the Triangular Trade

Williams goes on to look at where this power was directed and wealth invested:

Banking: helped provide the large sums needed for cotton factories and building of canals connecting Manchester and Liverpool

Heavy Industry: West Indian trade capital financed James Watt and the steam engine. Antony Bacon early war profiteer — engaged in trade in both victualing troops and ‘supplying seasoned and able Negroes for government contracts in the West Indies‘. Set up iron works in Merthyr Tydfil, rapidly expanded to fulfill government contracts during the American war, set up another furnace at Cyfartha. (103) Just a few examples.

Insurance: Obvious this one.

The American Revolution

This played a big role in the politics of the new world, and not in the way that Americans are taught to understand our early history.  New England in particular had problematic relationship with England as it grew to become a competitor with British goods rather than a consumer — which in some ways was what the revolution  was actually all about. But initially it was well integrated into the triangle trade as another exporter to the West Indies (with British policy ensuring the West Indies did not produce for themselves, of course).

I just hadn’t realised how closely connected the islands were with the mainland. Alexander Hamilton was born on Nevis. Many owned plantations both in the islands and in the South.  American succession had a huge impact on them, and one thing I do wonder is why they weren’t incorporated in the new US… I suppose perhaps because they were already in decline. Instead, they were just left.

Fifteen thousand slaves died of famine in Jamaica alone between 1780 and 1787, and American independence was the first stage in the decline of the sugar colonies.  (121)

Jesus.

‘The Caribbean ceased to be a British lake… The center of gravity in the British Empire shifted from the Caribbean Sea to the Indian Ocean, from the West Indies to India. In 1783… prime Minister Pitt began to take an abnormally great interest in the British dominions to the East. In 1787 Wilberforce was encouraged by Pitt to sponsor the proposal for abolition of the slave trade. In the same year the East India Company turned its attention to the cultivation of sugar… (123)

Jesus. Profit falls and people starve.

The Development of British Capitalism 1783-1833

This becomes the period of the huge growth of cotton manufacturing (see Manchester), wool suddenly becomes an import, primarily from Australia whose whole economy shifts. Profit interests shift from West Indies to South America and India as UK becomes exporter of manufactured goods worldwide — thus exploding the need for earlier Mercantilism wisdom of monopoly. Manchester and others wished to trade with everyone, no barriers — and so, the rise of free trade movement. Well, it was coming soon.

Mercantilism had run its course. It was necessary only to give political expression to the new economic situation. (133)

It would be good for the West Indies.

The New Industrial Order

That’s because the West Indians stood for monopoly and mercantilism, and both were going down.

The attack on the West Indians was more than an attack on slavery. It was an attack on monopoly. Their opponents were not only the humanitarians but the capitalists. The reason for the attack was not only that the West Indian economic system was vicious but that it was also so unprofitable that for this reason alone its destruction was inevitable. (135)

The attack falls into three phases: the attack on the slave trade, the attack on slavery, the attack on the preferential sugar duties. The slave trade was abolished in 1807, slavery in 1833, the sugar preference in 1846. The three events are inseparable. The very vested interests which had been built up by the slave system now turned and destroyed that system. (136)

It’s an extraordinary about face.

The growth of Anti-Imperialism

There’s this strange period that I never knew about, after the loss of the original colonies, when the West Indies no longer of any importance to anyone but its plantation owners, when prevailing attitudes were against Empire. It didn’t last that long, obviously. But it did exist for a while, while greater profits were to be found in free trade.

The colonial system was the spinal cord of the commercial capitalism of the mercantile epoch. In the era of free trade the industrial capitalists wanted no colonies at all, least of all the West Indies.

The trend dated back, as we have seen, to the early years of the Industrial Revolution. Its development paralleled the development of the free trade movement. The whole world now became a British colony and the West Indies were doomed. The leader of the movement was Cobden. Cobden referred approvingly to Adam Smith’s chapters in his “immortal work” on the expense of colonies. (142)

And part of the global politicking? Destroying the immensely valuable French colony of Saint Domingue.

Pitt’s plan was twofold: to recapture the European market with the aid of sugar from India, and to secure an international abolition of the slave trade, which would ruin St Domingue. (146)

He failed in both — West Indians managed to keep import duties high, and he couldn’t get the Dutch, Spanish and French to abolish slavery. After the French Revolution, England attempted to take the colony by force — as Williams notes, Pitt couldn’t then have had a successful sugar colony and the abolition of slavery.

But instead, they didn’t capture the colony, just helped destroy it. Abolition wasn’t so important, and Pitt stepped back from it. The slave trade doubled in fact, and Britain conquered Trinidad and British Guiana. It became clear that sugar was most profitable in new territories, with its slash and burn agriculture dependent on fresh soil. Old colonies were saturated, even with destruction of St Domingue the West Indies were still not profitable, instead Cuba and other islands succeeded in producing cheaper sugar.

Wilberforce rejoiced: West Indian distress could not be imputed to abolition. Actually, abolition was the direct result of that distress. (150)

West Indies unable to compete,with Brazil and Cuba. Williams writes:

Overproduction in 1807 demanded abolition; overproduction in 1833 demanded emancipation. (152)

British Capitalism and the West Indies

And so a remarkable change:

Whereas before, in the eighteenth century, every important vested interest in England was lined up on the side of monopoly and the colonial system; after 1783, one by one, every one of those interests came out against monopoly and the West Indian slave system. (154)

“The Commercial Part of the Nation” and slavery

News flash. Capitalists only occasional abolitionists.

The “Saints” and Slavery

So we can’t completely forget the actual abolitionists, Williams admitted it was ‘one of the greatest propaganda movements of all time‘ (178).  Of course it wasn’t sentimentality but economics that were the main driving force, but it’s nice to believe it was ‘justice, humanity and sound policy‘ as the bill said it was.

There is an indictment of Wilberforce in here, not that he’s hard to go after…I loved it though, having read quite a bit about the awfulness of the Clapham Sect.

There is a certain smugness about the man, his life, his religion. As a leader, he was inept, addicted to moderation, compromise and delay. He deprecated extreme measures and feared popular agitation. He relied for success upon aristocratic patronage, parliamentary diplomacy and private influence with men in office. He was a lobbyist, and it was a common saying that his vote could safely be predicted, for it was certain to be opposed to his speech. (181)

Their campaign was only directed at abolishing slavery in the West Indies, and only of Blacks. The Clapham Sect had various interest in East India and they didn’t want those troubled.

The Slaves and Slavery

Can’t leave out the agency of slaves themselves, of struggle, of uprising. And of course Eric Williams doesn’t. This is because:

Contrary to popular and even learned belief, however, as the political crisis deepened in Britain, the most dynamic and powerful social force in the colonies was the slave himself. This aspect of the West Indian problem has been studiously ignored. (201)

This despite the power and inspiration of the Maroons of Jamaica, Bush Negroes of British Guiana, the revolt of St Domingue. And endless revolt. In 1808: a slave revolt in British Guiana. 1816, Barbados. 1823, British Guiana again — fifty plantations, 12,000 people. Continued unrest. 1831, Antigua then Jamaica over Christmas that spread. 1833, emancipation.

Conclusion

So a few ideas and principles in the form Eric Williams gives them:

  1. The decisive forces in the period of history we have discussed are the developing economic forces

  2. The various contending groups of dominant merchants, industrialists and politicians, while keenly aware of immediate interest, are for that very reason generally blind to the long-range consequences of their various actions, proposals, policies.  (210)

  3. The political and moral ideas of the age are to examined in the very closest relation to the economic development.

  4. An outworn interest, whose bankruptcy smells to heaven in historical perspective, can exercise an obstructionist and disruptive effect which can only be explained by the powerful services it had previously rendered and the entrenchment previously gained.

  5. The ideas built on those interests continue long after the interests have been destroyed and work their old mischief, which is all the more mischievous because the interests to which they correspond no longer exist. (211)

Next post, a bit more on how city by city the UK was linked and remains linked to slavery in the New World. All of these the kind of insights that stay with you.

[Williams, Eric (1989 [1944]) Capitalism and Slavery. London: Andre Deutsch.]

Frederick Douglass: My Bondage and My Freedom

I read the short version of Frederick Douglass’s autobiography many years ago and it impressed me so deeply, I had always meant to read the longer version — one of them at least. Too many years separate them for me even to be sure of the differences, apart from the recounting of the scene where Douglass stands up to Covey — much expanded here, but I am not sure more powerful for that. Still. The moment where enough is enough, where resistance is embraced fully, where everything changes. An incredible moment. But this is a book of powerful moments. So much of what is theorised over the next 150 years is here already, though always in a way that pathologises slavery not those bound and tortured by it. If only we had kept to that tradition.

Geneological trees do not flourish among slaves. A person of some consequence here in the north, sometimes designated father, is literally abolished in slave law and slave practice. It is only once in a while that an exception is found to this statement. (34-35)

Of course, Douglass’s father was white. Master or overseer, he is not explicit — does not know, does not wish to know, does not wish to say.

The practice of separating children from their mothers, and hiring the latter out at distances too great to admit of their meeting, except at long intervals, is a marked feature of the cruelty and barbarity of the slave system. But it is in harmony with the grand aim of slavery, which, always and everywhere, is to reduce man to a level with a brute. It is a successful method of obliterating from the mind and the heart of the slave, all just ideas of the sacredness of the family, as an institution. (37-38)

Frederick Douglass belonged to the Lloyds, a plantation along the Wye river named after the river in Wales whence they came. Knowing the Wye river — it brings these connections home. From rural wales to owning slaves in Maryland.

Frederick Douglass grows up. Always cold. Always hungry. Always questioning.

The old doctrine that submission is the best cure for outrage and wrong, does not hold good on the slave plantation. He is whipped oftenest, who is whipped easiest; and that slave who has the courage to stand up for himself against the overseer, although he may have many hard stripes at the first, becomes, in the end, a freeman, even though he sustain the formal relation of a slave. (95)

There is, of course, a line to be walked here because too much and they will just shoot you — this is clear in the text despite the numerous forceful statements like the one above.

I’ve just finished re-reading Du Bois on The Souls of Black Folk, and found it powerful that Douglass too spends time on the songs sung by slaves and their meaning and importance. It was often demanded of them that they sing, you cannot plot while singing, you cannot run away. But song transformed into something else. Douglass relates that it is not until after escaping slavery and looking back that the real meaning of the songs struck him.

They told a tale which was then altogether beyond my feeble comprehension; they were tones, loud, long and deep, breathing the prayer and complaint of souls boiling over with the bitterest anguish. Every tone was a testimony against slavery, and a prayer to God for deliverance from chains. The hearing of these wild notes always depressed my spirits and filled my heart with ineffable sadness… Those songs still follow me, to deepen my hatred of slavery… (99)

But then, still a child, he is sent to Baltimore, and it is strange to think, that without this arbitrary decision the future course of his life might not have been possible. For here he has opportunity to learn to read, to play with poor white children, to ask questions, to obtain knowledge, to see a world beyond the plantation. And, in the beginning, to have a taste of something different.

At first, Mrs Auld evidently regarded me simply as a child, like any other child; she had not come to regard me as property. This latter thought was a thing of conventional growth…it took several years to change the natural sweetness of her temper into fretful bitterness. (144-145)

Douglass illustrates time and time again how the structures of slavery constrain the humanity of both slave and slave-owner. The nature of slavery is such that there can be no good owner, no kind mistress because to own a slave is to deny the humanity of another human being. Mrs Auld begins kindly — begins to teach him to read, and is stopped in her tracks by her husband. It becomes fully brought home to her that reading and slavery are incompatible. In bowing to this, she loses her own self as she must.

As Douglass comes to understand this, the bewildering changes from kindness to bitterness, the reminders of his place in the household, he is also working out the nature of his own morality under slavery. That within a structure that has robbed him of both liberty and all reward of his labour, his right to steal for self preservation cannot be questioned. With no freedom of choice, no slave can be held morally responsible or accountable, rather all responsibility lies with those who created an enforce slavery.

There are insights too, into slavery’s impact on the class distinctions made in the South:

Slaves, too, readily distinguish between the birthright bearing of the original slaveholder and the assumed attitudes of the accidental slaveholder; and while they cannot respect either, they certainly despise the latter more than the former. (192)

Refusing to call him Master only one of many subtle ways of showing this. But it is so clear that status is entirely bound up in ownership of other human beings at this time, even though a certain level of privilege is granted to all those with white skin. Douglass is thinking all of these things, but can do little. At the age of 16 he is sent to work for a man named Covey for year, to be broken. And after 6 months of being broken, he stands up, refuses to be whipped, fights back.

…this battle with Mr Covey–undignified as it was, and as I fear my narration of it is–was the turning point in my “life as a slave.” It rekindled in my breast the smouldering embers of liberty; it brought up my Baltimore dreams, and revived a sense of my own manhood. I was a changed being after that fight. I was nothing before; I was A MAN NOW. It recalled to life my crushed self-respect and my self-confidence, and inspired me with a renewed determination to be A FREEMAN. (246)

He was never whipped again. He does wonder why he wasn’t just killed — the punishment decreed by law for such defiance. The loss of face that Covey would have incurred is most likely the reason, but he himself has seen someone murdered for less. He describes the price of being a man — being willing to die. He also notes the many other things that work to keep human beings enslaved. Ties to family and friends, to place and familiarity. The granting of holidays, and other things that keep ‘minds occupied with thoughts and aspirations short of the liberty of which they are deprived. A certain degree of attainable good must be kept before them’ (253).

One of teh most powerful sentences I think:

The thought of only being a creature of the present and the past, troubled me, and I longed to have a future–a future with hope in it. (273)

I think this is perhaps the terror of poverty as well, though it cannot be compared to slavery. But it appears again in one of the speeches at the end. A future could only lie in freedom. He plans an attempt at escape with a group of dear friends and is betrayed, but without quite the proof needed to convince his owner that the freedom break was actually going to be attempted. So while threatened with sale to the South, he is not in the end taken there. He is sent back to Baltimore, and apprenticed in the shipyards.

He has the shit beaten out of him by white apprentices there,  partially at the instigation of the white carpenters who stand and watch it all. He notes that one of the elements in slavery is this:

the conflict of slavery with the interests of the white mechanics and laborers of the south. … The slaveholders, with a craftiness peculiar to themselves, by encouraging the enmity of the poor, laboring white man against the blacks, succeeds in making the said white man almost as much a slave as the black man himself… The slave is robbed, by his master, of all his earnings, above what is required for his bare physical necessities; and the white man is robbed by the slave system, of the just results of his labor, because he is flung into competition with a class of laborers who work without wages. (309-310)

Douglass writes this will set the white laborers in the vanguard against slavery — it’s curious that he is right and wrong, for in much of the north and in California they surely are against slavery, but equally against Black labour. Still, we see here the intersections of race, economic systems, labour, struggle…

He escapes. Wanders lost in NY afraid for his life and recapture, no money, no friends. He doesn’t wonder that some return South. But he reaches safety with the abolitionists and they recommend he move to New Bedford. Which sounds bad ass. He tells a story in which a newcomer threatens one of the community with informing on him to his old master. A meeting is called of the whole Black community, and at the end of it

…at the close of his prayer, the old man (one of the numerous family of Johnsons) rose from his knees, deliberately surveyed his audience, and then said, in a tone of solemn resolution, “Well, friends, we have got him here, and I would now recommend that you young men should just take him outside the door and kill him. (348)

He escapes, sadly. But Douglass writes

A slave could not be taken from that town seventeen years ago, any more than he could be so taken away now. the reason is, that the colored people in that city are educated up to the point of fighting for their freedom, as well as speaking for it. (348)

That brings a tear.

So Douglass comes to the attention of the abolitionists as a speaker, begins to travel and lecture. He reads more, speaks more, thinks. He is fucking brilliant, far more so than those around him and they don’t like it, tell him to speak more like a slave, to just give his story and let them denounce the wrongs and provide the solutions. Whites in the audiences start murmuring at his eloquence, refuse to believe that he is a slave as he doesn’t speak like one or act like one. Makes you want to throw things.

And so Douglass writes the first version of his autobiography to free himself from these insinuations…which is, of course, a huge risk and means his almost certain recapture. And so he goes to England. where like many others before and after, he is treated as an equal (though all this would change for other generations of Black people coming to England). Money is raised to buy his freedom so he can return to the US without the threat of recapture hanging over him. (He is criticised for allowing this, by those who don’t know what it is like to be owned or to have the fear of being taken back hanging over them.) More money is raised to provide him with a printing press, so he can begin his own paper. And the white abolitionists really fucking hate that, as you can imagine — they argue it’s not needed, that it will interfere with the lecturing they have planned for him, that he is a better speaker than writer, and that it can’t succeed. William Lloyd Garrison has his own paper after all. So Douglass moves to Rochdale to avoid competition with them. They hate it even more when, upon deep thought, Douglass decides that they are wrong in their analysis of the issue and in their tactics of refusals to vote and demands that the slave-states be cut free from the union.

He notes near the end, the many instances of racism in the north. The prejudice that existed even among abolitionists and the awkwardness of their denials underlining how deeply it ran. Like their insistence they were ‘not afraid to walk with him’. He resists the existence of ‘Jim Crow’ cars in trains and trams, refusing to move and fighting any attempts to so remove him. Jim Crow this early, in name and in segregated carriages. I had forgotten. He is such a well-connected figure by this time, his battles are successful.

At the end are a collection of speeches and damn. They are incredible, what a thing to have heard him speak. Above all the speech for the 4th of July, which I have read before. But some excerpts, first from his reception speech at Finsbury Chapel.

I am here to say that I think the term slavery is sometimes abused by identifying it with that which it is not. Slavery in the United States is the granting of that power by which one man exercises and enforces a right of poetry in the body and soul of another. The condition of a slave is simply that of the brute beast. He is a piece of property–a marketable commodity…to be bought or sold at will and caprice of the master who claims him to be his property; he is spoken of, thought of, and treated as property. His own good, his conscience, his intellect, his affections, are all set aside by the master. The will and the wishes of the master are the law of the slave. He is as much a piece of property as a horse. If he is fed, he is fed because he is property. If he is clothed, it is with a view to the increase of his value as property. Whatever of comfort is necessary to him for his body or soul that is inconsistent with his being property, is carefully wrested from him, not only by public opinion, but by the law of the country. He is carefully deprived of everything that tends in the slightest degree to detract from his value as property. He is deprived of education. God has given him an intellect; the slaveholder declares it shall not be cultivated. If his moral perception leads him in a course contrary to his value as property, the slaveholder declares he shall not exercise it. The marriage institution cannot exist among slaves, and one-sixth of the population of democratic America is denied its privileges by the law of the land. What is to be thought of a nation boasting of its liberty, boasting of its humanity, boasting of its Christianity, boasting of its love of justice and purity, and yet having within its own borders three millions of persons denied by law the right of marriage? (408)

And then this rousing finale

The slaveholders want total darkness on the subject. They want the hatchway shut down, that the monster may crawl in his den of darkness, crushing human hopes and happiness, destroying the bondman at will, and having no one to reprove or rebuke him. Slavery shrinks from the light; it hateth the light, neither cometh to the light, lest its deeds should be reproved. To tear off the mask from this abominable system, to expose it to the light of heaven, aye, to the heat of the sun, that it may burn and wither it out of existence, is my object in coming to this country. I want the slaveholder surrounded, as by a wall of anti-slavery fire, so that he may see the condemnation of himself and his system glaring down in letters of light. (418)

There is the letter to his old master, written on the anniversary of his escape. It is excoriating, and also moving…

The fact is, there are few here who would not return to the South in the event of emancipation. We want to live in the land of our birth, and to lay our bones by the side of our fathers’; and nothing short of an intense love of personal freedom keeps us from the South. For the sake of this, most of us would live on a crust of bread and a cup of cold water.(424)

At this moment, you are probably the guilty holder of at least three of my own dear sisters, and my only brother in bondage. These you regard as your property. They are recorded on your ledger, or perhaps have been sold to human flesh mongers, with a view to filling your own ever-hungry purse. Sir, I desire to know how and where these dear sisters are. Have you sold them? or are they still in your possession? What has become of them? are they living or dead? And my dear old grandmother, whom you turned out like an old horse, to die in the woods—is she still alive? Write and let me know all about them. (426-427)

Speech on The Nature of Slavery:

First of all, I will state, as well as I can, the legal and social relation of master and slave. A master is one—to speak in the vocabulary of the southern states—who claims and exercises a right of property in the person of a fellow-man. This he does with the force of the law and the sanction of southern religion. The law gives the master absolute power over the slave. He may work him, flog him, hire him out, sell him, and, in certain contingencies, kill him, with perfect impunity. The slave is a human being, divested of all rights—reduced to the level of a brute—a mere “chattel” in the eye of the law—placed beyond the circle of human brotherhood—cut off from his kind—his name, which the “recording angel” may have enrolled in heaven, among the blest, is impiously inserted in a master’s ledger, with horses, sheep, and swine. In law, the slave has no wife, no children, no country, and no home. He can own nothing, possess nothing, acquire nothing, but what must belong to another. To eat the fruit of his own toil, to clothe his person with the work of his own hands, is considered stealing. He toils that another may reap the fruit; he is industrious that another may live in idleness; he eats unbolted meal that another may eat the bread of fine flour; he labors in chains at home, under a burning sun and biting lash, that another may ride in ease and splendor abroad; he lives in ignorance that another may be educated; he is abused that another may be exalted; he rests his toil-worn limbs on the cold, damp ground that another may repose on the softest pillow; he is clad in coarse and tattered raiment that another may be arrayed in purple and fine linen; he is sheltered only by the wretched hovel that a master may dwell in a magnificent mansion; and to this condition he is bound down as by an arm of iron.

From this monstrous relation there springs an unceasing stream of most revolting cruelties. The very accompaniments of the slave system stamp it as the offspring of hell itself. To ensure good behavior, the slaveholder relies on the whip; to induce proper humility, he relies on the whip; to rebuke what he is pleased to term insolence, he relies on the whip; to supply the place of wages as an incentive to toil, he relies on the whip; to bind down the spirit of the slave, to imbrute and destroy his manhood, he relies on the whip, the chain, the gag, the thumb-screw, the pillory, the bowie knife the pistol, and the blood-hound. These are the necessary and unvarying accompaniments of the system. Wherever slavery is found, these horrid instruments are also found. (429-430)

It is only when we contemplate the slave as a moral and intellectual being, that we can adequately comprehend the unparalleled enormity of slavery, and the intense criminality of the slaveholder. I have said that the slave was a man. … The first work of slavery is to mar and deface those characteristics of its victims which distinguish men from things, and persons from property. Its first aim is to destroy all sense of high moral and religious responsibility. It reduces man to a mere machine. It cuts him off from his Maker, it hides from him the laws of God, and leaves him to grope his way from time to eternity in the dark, under the arbitrary and despotic control of a frail, depraved, and sinful fellow-man. (431)

What to the slave is the 4th of July? (listen to James Earl Jones read it here)

Fellow citizens, pardon me, allow me to ask, why am I called upon to speak here today? What have I, or those I represent, to do with your national independence? Are the great principles of political freedom and of natural justice, embodied in that Declaration of Independence, extended to us? and am I, therefore, called upon to bring our humble offering to the national altar, and to confess the benefits and express devout gratitude for the blessings resulting from your independence to us? (441)

Those words are still pretty true.

America is false to the past, false to the present, and solemnly binds herself to be false to the future. Standing with God and the crushed and bleeding slave on this occasion, I will, in the name of humanity which is outraged, in the name of liberty which is fettered, in the name of the Constitution and the Bible which are disregarded and trampled upon, dare to call in question and to denounce, with all the emphasis I can command, everything that serves to perpetuate slavery-the great sin and shame of America! (442)

What, am I to argue that it is wrong to make men brutes, to rob them of their liberty, to work them without wages, to keep them ignorant of their relations to their fellow men, to beat them with sticks, to flay their flesh with the lash, to load their limbs with irons, to hunt them with dogs, to sell them at auction, to sunder their families, to knock out their teeth, to burn their flesh, to starve them into obedience and submission to their masters? Must I argue that a system thus marked with blood, and stained with pollution, is wrong? No! I will not. I have better employment for my time and strength than such arguments would imply.

What, to the American slave, is your Fourth of July? (444)

Words cannot express my admiration or respect. Yet I am still full of questions, about the wife who came from Maryland also, about her life, about the day to day…more to read, always more to read.

Frederick Douglass, Syracuse, New York, July–August 1843; whole-plate daguerreotype by an unknown photographer, from Picturing Frederick Douglass

Douglass, Frederick (1969 [1855]) My Bondage and My Freedom. New York: Dover Publications, Inc.

Origins of Fear…from Whitehead’s The Underground Railroad

Cora rarely thought of the boy she had killed. She did not need to defend her actions in the woods that night; no one had the right to call her to account. Terrance Randall provided a model for a mind that could conceive of North Carolina’s new system, but the scale of the violence was hard to settle in her head. Fear drove these people, even more than cotton money. The shadow of the black hand that will return what has been given. It occurred to her one night that she was one of the vengeful monsters they were scared of: She had killed a white boy. She might kill one of them next. And because of that fear, they erected a new scaffolding of oppression on the cruel foundation laid hundreds of years before. That was Sea Island cotton the slaver had ordered for his rows, but scattered among the seeds were those of violence and death, and that crop grew fast. The whites were right to be afraid. One day the system would collapse in blood (206)

Loved this book.

[Whitehead, Colson (2016) The Underground Railroad. London: Fleet.]

Wendell Berry on Racism: The Hidden Wound

Wendell Berry The Hidden WoundIn 1968, Wendell Berry wrote The Hidden Wound — a fascinating look at U.S. racism and its connection to land and work from this incredible environmentalist who grew up in a family that still remembered owning slaves. I’ve been trying to get my head around the way that the current terrifying onslaught of policies of hate and fear are so closely tied to Christianity — and yes I know Crusades and witch burnings and pogroms and the Inquisition and… I know. But this helped explain the particular moment we are in as Americans better than anything I’ve read in while from a point of view that I don’t often read.

It opens with a frank admission:

I have been unwilling, until now, to open in myself what I have known all along to be a wound–a historical wound, prepared centuries ago to come alive in me at my birth like a hereditary disease, and to be augmented and deepened by my life….If the white man has inflicted the wound of racism upon black men, the cost has been that he would receive the mirror image of that wound unto himself. As the master, or as a member of the dominant race, he has felt little compulsion to acknowledge it or speak of it; the more painful it has grown the more deeply he has hidden it within himself. But the wound is there, and it is a profound disorder, as great a damage in his mind as it is in his society. (3-4)

This damage now erupted brutally into the open keeps me up at night.

Berry writes of the casual stories told by his family, remembering the past. There is one story in particular of a slave that had to be sold because he would not be good (and how much Black pain lies in that white concept of ‘good’?):

The story has passed from generation to generation in flight from its horror. It has been told and retold, surely, because in the depths of our souls we all have recognized in it an evil that is native to us and that we cannot escape. (8-9)

Still, slave owners tried to escape its consequences, and this required particular habits and manners of thought. Berry describes the double nature that had to exist in religion, for example. We all know the Bible says to turn the other cheek, to love your enemies, to ‘lay not up for yourselves treasures upon earth’, to do unto others as you would have done unto you — all things Southern society would be glad that slaves (and their descendants) should live by. But whites clearly did not, could not live these beliefs, without freeing slaves (or returning all that land to Native Americans rather than attempting their total destruction). This shaped white Christianity in very particular ways, and Berry’s description of it resonates so strongly today…

Thus the moral obligation was cleanly excerpted from the religion. the question of how best to live on the earth, among one’s fellow creatures, was permitted to atrophy, and the churches devoted themselves exclusively and obsessively with the question of salvation. (17)

I think current events have been ripping the covers off, revealing the fruit of this.

Berry also shares thoughts on language, how this double nature existed there too and shaped the words people used, how they thought.

Within the context of prejudice and segregation, the two races had to get along, and so there was an etiquette of speech that one learned from the cradle: one “respected the feelings” of Negroes, when in their presence one did not flaunt one’s “superiority” or use the word nigger… But more important, within the language there was a silence, an emptiness, of exactly the shape of the humanity of the black man; the language I spoke in my childhood and youth was in that way analagous to a mold in which a statue is to be cast. The operations, then, were that one could, by a careful observance of the premises of the language, keep the hollow empty and thus avoid the pain of the recognition of the humanity of an oppressed people and of one’s own guilt in their oppression; or one could, willing or not, be forced by the occasions of sympathy and insight to break out of those premises into a speech of another and more particular order, so that the hollow begins to fill with the substance of a life that one must recognize as human and demanding. (19)

Later he writes:

The word nigger might be thought of as rattling around, with devastating noise and impact, within the silence, that black-man-shaped hollow, inside our language. (50)

This is so chilling, makes so much sense. There is so much to undo, and Wendell Berry writes about the difficulties of undoing it:

I am trying to establish the outline of an understanding of myself in regard to what was fated to be the continuing crisis of my life, the crisis of racial awareness–the sense of being doomed by my history to be, if not always a racist, then a man always limited by the inheritance of racism, condemned to be always conscious of the necessity not to be a racist, to be always dealing deliberately with the reflexes of racism that are embedded in my mind as deeply at least as the language I speak. (48-49)

This is a process deeply rooted in history, in the origins of the country, in the ways that whites sought to take what was not theirs, and then to force others to work on it.

From the beginning also, as the white man made his drive into the continent, to take it from its wilderness and its original inhabitants and possess it, there were two great necessities: one was to own the land, to establish and maintain a legal claim; the second was the enormous and continuing labor it took to convert such ownership into the profits which would preserve and augment it. In the parts of the country where there was a black labor force these necessities were divided, in theory at least; the white man was to be the owner, the black man was to be the laborer. (80)

The results could only be a twisted and misshapen society whose ultimate values had been conquest and profit. Berry writes:

The white man, preoccupied with the abstractions of the economic exploitation and ownership of the land, necessarily has lived on the country as a destructive force, an ecological catastrophe, because he assigned the hand labor, and in that the possibility of intimate knowledge of the land, to a people he considered racially inferior; in thus debasing labor, he destroyed the possibility of a meaningful contact with the earth…The history of the white man’s use of the earth in America is a scandal. (105)

He also writes:

Whereas the whites, as a group, have produced here only a pernicious value system, based on greed and egotism and the lust for status and comfort, without either an elemental knowledge on the one hand or a decent social vision on the other. What the whites have produced of cultural value had come into being in the face of either indifference or opposition on the part of most whites… (81)

And yet for so many years, race has been seen as the ‘Negro Problem’ (or the Mexican problem, or the Asian problem…), when not only is it a problem of all Americans, but resonates through each and every one of our relationships:

It seems to me that racism could not possibly have made merely a mechanical division between the two races; at least in America it did not. It involves an emotional dynamics that has disordered the heart both of the society as a whole and of every person in the society. It has made divisions not only between white people and black people, but between black men and black women, white men and white women; it has come between white people and their work, and between white people and their land. It has fragmented both our society and our minds. (91)

This not least because

Whites fear what they feel, secretly or otherwise, to be the righteousness of the anger of blacks; as the oppressors they feel, secretly or otherwise, morally inferior to those they have oppressed. (92)

Where does wholeness lie? A better future? In recognising that

…no man is alone, because he cannot be; he cannot arrange it so that either the good or the bad effects of his life will apply only to himself; he can only live in the creation, among the creatures, his life either adding to the commonwealth or subtracting from it. Men are whole not only insofar as they make common cause with each other, but also insofar as they make common cause with their native earth, which is to say with the creation as a whole, which is to say with the creator. (104)

It involves recognizing the crimes against native peoples, and in all humility learning from them.

For examples of a whole and indigenous American society, functioning in full meaning and good health within the ecology of this continent, we will have to look back to the cultures of the Indians. That we failed to learn from them how to live in this land is a stupidity–a racial stupidity–that will corrode the heart of our society until the day comes, if it ever does, when we do turn back to learn from them. (107)

It involves recognising the humanity of all.

As soon as we have filled the hollow in our culture, the silence in our speech, with the fully realized humanity of the black man–and it follows, of the American Indian–then there will appear over the horizon of our consciousness another figure as well: that of the American white man, our own humanity, lost to us these three and a half centuries, the time of all our life on this continent.

It is not, I think, a question of when and how the white people will “free” the black people and the red people. It is a condescension to believe that we have the power to do that. Until we have recognized in them the full strength and grace of their distinctive humanity we will be able to set no one free, for we will not be free ourselves. When we realize that they possess a knowledge for the lack of which we are incomplete and in pain, then the wound in our history will be healed. Then they will simply be free, among us–and so will we, among ourselves for the first time, and among them. (108)

There is more here I want to write about, about race and land, work, memory… but later. For now I will end with a quote from the Afterward, written in 1988, a plea to recognise the only things that could possibly make us truly safe and secure:

There is no safety in belonging to the select few… If we are looking for insurance against want and oppression, we will find it only in our neighbors’ prosperity and goodwill and, beyond that, in the good health of our worldly places, our homelands. If we were sincerely looking for a place of safety, for real security and success, then we would begin to turn to our communities – and not the communities simply of our human neighbors but also of the water, earth, and air, the plants and animals, all the creatures with whom our local life is shared. We would be looking too for another another kind of freedom. Our present idea of freedom is only the freedom to do as we please…But that is a freedom dependent upon affluence, which is in turn dependent upon the rapid consumption of exhaustible supplies. The other kind of freedom is the freedom to take care of ourselves and each other. The freedom of affluence opposes and contradicts the freedom of community life.

Our place of safety can only be the community, and not just one community, but many of them everywhere. (129)

[Berry, Wendell (1989, 2010) The Hidden Wound. Berkeley: Counterpoint.]

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Septima Clark — The Glorious Complexities of Identity

Ready From Within - Septima ClarkSeptima Poinsette Clark’s background is found in the second part of Ready From Within, you can read more about the first on her life and work here. Once again I found myself bumping against my own unconsciously contained ideas of identity.  The editor Cynthia Brown noted her own surprise when she saw Rosa Parks let her hair down and it fell below her waist… Rosa Parks smiled at her, and said kindly she was part Native American. How had I never heard that before? Septima Clark’s background is just as wondrously complex — exactly the complexity that the U.S. brand of racism strips away by reducing everything to the absurdity of a drop of blood defining a status that whites have long tried to hold forcibly down at the bottom.

Clark writes that her mother was born free, and that she:

…had three distinct sets of brother and sisters. The first set was mulatto, two girls with soft curly brown hair. then came three ginger-colored boys with soft black hair. Then came three girls including my mother, Victoria. They were medium-brown with soft straight black hair. Their father was Indian, from the Muskhogean tribes who lived on the sea islands from Charleston to Savannah, Georgia.

Born free, her mother, and then raised in the heart of the 3rd great revolution (and much more revolutionary than the US revolution if we’re at all honest):

My mother was born in Charleston but reared in Haiti…those three little girls were sent to Haiti to be raised by their older brothers, who were cigar makers there. (89)

Her mother was very proud of this claim, that she never was in slavery. Very unlike Clark’s father who was freed by the civil war as a teenager, and remembered this freedom as a worrying time. His surname Poinsette came from his former master, a botanist for whom the Poinsettia is named.

I think about the connections between language, culture and place embodied in the intertwinings of this single family’s history — and the simple identity assigned to Septima Poinsette Clark fairly boggles the mind. How soon can we leave these damn binaries behind us?

There are also fascinating insights here into the early traditions of education and how they play into these complexities. There was a local public school, but Clark would have been one of 100 students for the one teacher. Her mother worked to get her into a private school:

There were lots of black women who had little schools in their homes–in their kitchens, in their dining rooms, or in little shed rooms. (98)

These schools ran on their own hierarchies — and this whole story of education resulted in a class pride that Clark had to work hard to undo through the rest of her life in struggle. She remembers that her teacher:

didn’t take  just anybody who had the money for tuition. She chose her pupils from the blacks who boasted of being free issues, people who had never been slaves. These people constituted a sort of upper caste. (99)

From there she went on to the Avery Institute, getting her teaching certificate in 1916. The Avery Institute is hell of fascinating — itself emblematic of the complexities of identity and the immense possibilities opened up by Reconstruction. Francis Louis Cardozo founded it, his father the Jewish editor of a newspaper, his mother half black and half Native American. They sent their son Francis to school in Europe; after his return he became the first black Secretary of State for South Carolina during reconstruction. (101)

The racist laws against marriage meant Cardozo’s parents never officially married — two such interracial families lived on Clark’s street while she was growing up, but her mother always looked down on them for living together outside of wedlock. Not everything was nice and friendly back in the day.

Clark’s first job was on Johns Island, part of a network of islands along the South Carolina coast. It took nine hours in a boat to get there from Charleston. She talks about the prevalence of African words, Gullah. She taught how that idiom as spoken related to ‘correct English’ (de to be written down as the…). She worked there several years, and then moved back to teach in Charleston.

How did she become fully radicalized? It took a little while:

I want to start my story with the end of World War II because that is when the civil rights movement really got going, both for me personally and for people all over the south. After World War II the men were coming home from fighting in Europe and Africa, and they weren’t going to take segregation any more. (23)

It was still some time before a fellow teacher introduced her to Highlander, the kind of space that encouraged her to step into her full potential and change the course of the growing civil rights movement. From there she never looked back, and never lost her faith in the ability of people to develop:

You know, the measure of a person is how much they develop in their life. Some people slow down in their growth after they become adults… But you never know when a person’s going to leap forward, or change around completely. (103)

One of my favourite quotes from her, and I’ve used this once already, is on growing old, and the opportunities that change and chaos bring:

But I really do feel that this is the best part of life. It’s not that you have just grown old, but it is how you have grown old. I feel that I have grown old with dreams that I want to come true, and that I have grown old believing there is always a beautiful lining to that cloud that overshadows things. I have great belief in the fact that whenever there is chaos, it creates wonderful thinking. I consider chaos a gift, and this has come during my old age. (125)

Maybe if more righteous elders were like her and celebrated such things, we would be in a better place. To end, the one thing we all have to remember:

The only thing that’s really worthwhile is change. It’s coming. (126)

You want to see my new favourite photos?

Septima Clark and Rosa Parks:

Image Courtesy of Highlander Research and Education Center
Image Courtesy of Highlander Research and Education Center

parks-and-clark-sitting

Senior power!

 

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John Akomfrah: Vertigo Sea at Bristol’s Arnolfini

John Akomfrah Vertigo SeaVertigo Sea, a solo exhibition of two films showing through 10th April, 2016 at Bristol’s Arnolfini, its UK premiere. Where better to see such films exploring the connections between oceans and Empire, slavery and migration and the killing of our natural world than this city built with slavery’s profits?

We saw Vertigo Sea first, sat confronting the sea and movement and death and forced migrations on film across three screens. The sounding of waves. The vastness of ocean. The smallness of our own stature in the face of it. The wonder of the creatures who live within it. I imagine the feeling of always being held, wonder if that sounding of waves is something that lives within you if you live within the ocean, if your heart beats to it. Birds, thousands and millions of birds swirl across its surface, like algae, like the shoals of fish that dive and spin.

John Akomfrah Vertigo Sea
John Akomfrah “Vertigo Sea” (2015). Installationsview. Nikolaj Kunsthal. Foto Léa Nielsen

Water is here too in the form of snow, vast expanses, glaciers, landscapes we all know are fast disappearing.

John Akomfrah Vertigo Sea
John Akomfrah: Vertigo Sea © Smoking Dogs Films. Courtesy Arnolfini. Photo Stuart Whipps

Always the vastness of the world, the ocean, the water. Moisture as great banks of cloud upon the earth. Then the vastness of death we ourselves leave behind. The killing of wild things, the carving up of whales, the rivers of blood.

John Akomfrah Vertigo Sea

There are those who travel oceans to kill alongside the desperation of others traveling the oceans prised lose from land by war and famine and searching for life and hope. The desperation of others traveling the oceans ripped from all they know, plundered for work and death in lands far away. The oceans connect us in so many ways. Look how we have moved across them, look how we have died in them, look how we have hunted and killed in them. This is a unique meditation on human violence in the face of great, impersonal force.

John Akomfrah Vertigo SeaFrom the exhibition guide:

The inspiration for the work came from a radio interview with a group of young Nigerian migrants who had survived an illegal crossing of the Mediterranean. They expressed the feeling of being faced by something vaster and more awesome than they had thought possible. While the sea is mesmerising, universally compelling and beautiful, it is also a uniquely inhospitable environment. It is difficult for us, as humans used to having control over our surroundings, to grasp the enormity of this constantly changing element, and the word ‘vertigo’ perhaps refers to this unfathomable reach.

Maybe it’s because I grew up in the middle of the desert, but I love the feeling of being small, love the feeling of being just a tiny part of the world, in the world rather than in control of the world. We are never in control of the world. But I imagine this installation feels different to me than to others, I wonder if it does provoke a sense of control being absent. An overwhelming. I hope so.

But how I mourned through this film, mourned the death and all of those lost. Now and then, too, I turned my eyes from the killing.

We couldn’t see both installations the same day, seemed to us Vertigo Sea was too powerful. So we went back to watch Tropikos two weekends later.

Situated in Plymouth and the Tamar Valley – locations with significant, though largely forgotten connections with the expansion of European power and influence – Tropikos is an experimental drama set in the 16th century.
Akomfrah’s starting point for the film was the connection between the waterways of the South West and the slave trade. In this film, the river landscape is transformed into an historic English port to re-imagine some of the first British encounters with people from Africa.
Again, the pounding of oceans. Elizabethan costumes vs white draped simplicity, the deep roar of passage and rending, black skin in water and warmth but there is the looming English presence behind and you long to call out, to warn. Too late.
John Akomfrah, Tropikos,
John Akomfrah, Tropikos, 2016 | Smoking Dogs Films; Courtesy Lisson Gallery

Black faces are seen in frigid English landscapes, floating still and silent down the Tamar, landscape passing in emerald fields and grey skies behind these people stolen and surrounded by goods stolen with them. Bowls overflow with pearls and precious things, corn, roots and tubers. Dressed first in simplicity, but later boxed into new finery.

Tropikos-John-Akomfrah-Smoking-Dogs-Films-Courtesy-Lisson-Gallery1
Tropikos, John Akomfrah, Smoking Dogs Films; Courtesy Lisson Gallery

Always there is the sounding of oceans.

Only one table shows what England gave in return: wildflowers, a bible, a sword.

Death is here too, it is hanging. Birds and fish with glassy eyes and bodies cut to let them bleed. Other trees hung with pineapples and daikon radishes. Always the cold arrogant English faces in contrast, husband and wife unable to speak to touch to share the same spaces. Sidelong glances at the others come among them.

Words from Hakluyt, Shakespeare, Milton, Gaston Bachelard….they mingle with Melville from Vertigo Sea. Both are powerful, both had moments so reminiscent of his other work, particularly Last Angel of History, but perhaps it is because I saw that not too long ago. But there are these stills, posed, surreal elements of physical things with a huge weight of symbolic meaning. The detritus of our lives washed up on the stones, yielded by the water. The ending of time.

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John Akomfrah Vertigo Sea (2015). Still. © Smoking Dogs Films; Courtesy

Go see them if you can.

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The Mysteries of Paris (a la Eugène Sue )

Poster announcing the publication of Les Mystères de Paris (1843), a French language novel by Eugène Sue (1804-1857)
Poster announcing the publication of Les Mystères de Paris (1843), a French language novel by Eugène Sue (1804-1857)

Eugene Sue has raised himself above the horizon of his own narrow world view. He has delivered a slap in the face of bourgeois prejudice.
–Karl Marx

How could anyone resist a back-cover blurb like that? Along with a slap, Sue also delivered a fairly rip-roaring story of good and evil and murder and love and hate and an immensity of sentimentality as it involves both princes and thieves, but really, you can’t care too much about that because it is what it is and it’s entirely enjoyable.

Well, until the last few chapters, maybe even the last third. Sue was just dragging shit out by then. You can tell it was published in 90 installments as one of the first serial novels, but there is something quite wonderful about this sprawling art form published in the Journal des débats from 19 June 1842 until 15 October 1843.

I am so glad Karl Marx found it irresistible.

It opens on the streets in the cité:

a labyrinth of obscure, crooked, and narrow streets, which extend from the Palais de Justice to Nôtre Dame.

Wretched houses, with scarcely a window, and those of worm-eaten frames, without any glass; dark, infectious-looking alleys led to still darker looking staircases, so steep that they could only be ascended by the aid of ropes fastened to the damp walls by iron hooks; the lower stories of some of these houses were occupied by sellers of charcoal, tripemen, or vendors of impure meat; and notwithstanding the little value of these commodities, the windows of the miserable shops were barred with iron, so much did the owners fear the bold robbers of this quarter. (9)

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And so we come to the Rue aux Fèves, where our hero Rodolphe saves our heroine La Goualouse (but wait, it’s probably not quite what you think):

Theodor Josef Hubert Hoffbauer - Le cabaret du Lapin Blanc, rue aux Fèves, 1875-1882
Theodor Josef Hubert Hoffbauer – Le cabaret du Lapin Blanc, rue aux Fèves, 1875-1882 (after it had been demolished through Haussmanisation around 1860)

and they go to the Lapin Blanc:

It was a long, low room into which they entered, with smoky ceiling and black rafters, badly lighted by the murky rays of a miserable lamp. The whitewashed walls were covered with vulgar sketches, or with sentences in slang; the floor of beaten earth and salt was covered with mud; an armful of straw was placed at the foot of the counter or bar of the Ogresse instead of a carpet, and this was situated near the door, and under the lamp on each side of this room there were placed six tables, one end of each, as well as the benches, nailed to the walls. (15)

lapin_blanc_avant_demolition-f2e70

They just don’t build shit like this anymore. Nor would it remain standing much longer. Of course, Sue was probably paid by the word and thus paid to describe in detail, but I am so glad he did. The ogresse watches the bar, rents rooms, and rents clothes to young women — the book never calls her a procures but it is clear she also plays this kind of role. But I won’t give the plot away, wikipedia does that quite well.

This all takes place only a few years before the uprisings and barricades and attempts at revolution in 1848, those heady years fomented in just such small cafes in the cité. It is why Haussman was so determined to demolish them, along with the narrow labyrinths of streets so easily defended. But that all comes later.

There is no hint of revolution here, just greed and some terribly involved crimes and some very simple ones. This is, in fact, rather a reactionary tale — like in the way that blood defines character for example, so when La Goualouse ends up back in prison

I asked some of them who slept in the same room with her what was the cause of the difference [deference? Sic] shown her. ‘That’s more than we can tell,’ they answered: ‘it is plain she is not one of us.‘ ‘But who told you so?’ ‘No one told us: we see it in a thousand things. For instance, lat night, before she went to bed, she went on her knees and said her prayers; as she prays, as La Louve said, she must have a right to pray. (218)

God, the good old days when only the better classes with their blameless lives had the right to pray.

There is a black physician, rescued from American slavery, who is kind and good and wise. That’s a nice change, and almost undoubtedly a jab at America (this nationalist pride probably also explains the English nobleman in humble service of the European Prince). This book is reactionary on the subject of race in every other respect — there’s noticably no mention of Haiti here and I’ll get to Algiers in a bit. But first there is David’s wife who is a creole light enough to pass, and of course she is beautiful and unbalanced and Sue makes a fine art of insulting people here:

Her detestable predilections, for some time restrained by her real attachment for David, were developed in Europe; civilisation and the climactical influence of the North had tempered the violence, modified the expression. Instead of casting herself violently on her prey, and thinking only, like her compeers. to destroy as soon as possible their life and fortune, Cecily, fixing on her victims her magnetic glances, commenced by attracting them, little by little, into the blazing whirlwind which seemed to emanate from her… (283)

There is a great deal more in this vein and she causes an evil man to lose his reason entirely as part of a plot of vengeance on the side of good. That gets a bit confusing, but she’s clearly just in here to ratchet up the sex quotient (hard to do with everyone so good and pure). This involves some quite extraordinary detailed descriptions of her Alsatian costume (she’s in disguise involving a shortish skirt showing some leg and a laced up bodice) that would please the most OCD of fetishists. I know a lot more about race, class and corsets in 1840s France than I did before this book.

There is a whole lot here about female purity and the ways that shame can never be forgotten nor forgiven, the infuriating view that rape is always somehow the woman’s fault and she is never pure as a woman should be after. In fact, she’s better dead or in a nunnery. There’s a whole lot of stupid aristocratic nonsense. The Saxe-Gotha almanach makes an appearance. Another unbalanced woman. Once this story starts heading for these exalted shores it becomes much less interesting I confess. But given my interest in the intertwined histories of Europe and its colonies, it is fascinating that Rodolphe sends the thieves who have repented of their past off to Algiers to forge their new future.

I think in some ways this is the dream that Europeans and white Americans (and white Africans and Australians and etc etc) held to most — that opportunity to go somewhere, find some land, leave behind what you were and reinvent yourself anew. A new chance, a new and better future you define for yourself rather than entrapment into the one you were born into.

…they mutually congratulated each other on the agreeable prospects before them in Algiers.

And so everything was sacrificed, above all those occupying the land that financed and made reinvention possible. Those original occupants had to be made less. Even the infamous empathy of our heroine does not even give a quiver at this:

To end your family of protégés, my lord, I will add that Germain has read in the papers that Martial, a planter in Algiers, has been spoken of with great praise for the courage he has shown in repulsing, at the head of his farmers, an attack of thievish Arabs, and that his wife, as intrepid as himself, had been slightly wounded in the side while she was discharging her gun like a real grenadier. From that time…she has been called Madame Carabine. (365)

That’s one for the women, but only in defense of white privilege to take over farms by conquest. Here the roots of the pied noirs and the bloody conflict stretching across years and decades and as formative of France as it would be of Algeria. As a footnote, but I am always fascinated by just how much the colonies infuse the consciousness and the stories of the colonisers when you look.

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The Wonderful Adventures of Mrs Seacole

Mary Seacole's House, Soho SquareThey are wonderful indeed, and surprising in their content. I knew Mary Seacole only vaguely as a Black nurse — as brave as Florence Nightingale in service of the soldiers in the Crimea, but too-much forgotten by history because of her race. I found her plaque in Soho Square ages ago, which is when she went onto my reading list, moved up by encounters at the Black Cultural Archives and thinking about Empire. I read this seeking London and Black experience here as much as anything else, and didn’t find it at all but I was not sad about that.

London seems most tame, a stopping place between New Granada and the Crimea, which is a novel place for this city, and not a bad one at all.

709969In her life she did everything possible to burst the constraints placed on her by gender and race, while also clearly enjoying her own femininity — I love that she redefines an understanding of ‘feminine’ to include long and dangerous travels, courage under fire, intense compassion for all human beings, immense curiosity about the world, and a love of beautiful dresses and home comforts.

I cannot forget her temper, either. It carries her through swashbuckling-wise.

In this she subverts other long-held feminine conventions in her love of war and its pageantry, which she sees as adventure even after experiencing it — had she been born a man in this period she would have been a soldier as her Scottish father was I am sure. That was one boundary she was not prepared to cross as a handful of other women did by giving up their identity as women all together. So instead she learned how to heal, and sought out adventures — the Crimean War being only one of them — where her talents would do the most good.

A watercolour painting of Mary Seacole (c. 1850)
A watercolour painting of Mary Seacole (c. 1850)

Restless and wishing to see the world (while also fleeing tragedy in the death of her mother and husband), she follows her brother from Jamaica (her place of birth) to New Granada — a centralist republic that has since been divided into pieces of modern-day Colombia, Panama, and Ecuador (I knew this old history of South America once, but it was a jolt to recover it again, I had forgotten these older divisions, a good reminder of how shifting nations and boundaries really are).

New Granada
New Granada

Her story reminded me so much of the works by B. Traven — but without that discomfort I sometimes get, that feeling of just another European slumming (though he was better than most, I know). There, in Cruces then Gorgona, Panama, she opened up a hotel and restaurant, while also battling outbreaks of cholera.

The early ties between this country and the US are fascinating — many Estadounidenses travelled from the East Coast to California by sea, making the hard trek across Panama to travel by sea once more. This included both US troops and the goldrushers seeking California.

I knew some of this, vaguely, but before reading this I had no sense of what that might entail. I am newly fascinated by the slaves who fled South to freedom — we never learned about that road in school. Seacole writes:

I may have before said that the citizens of New Granada Republic had a strong prejudice against all Americans. It is not difficult to assign a cause for this. In the first place, many of the negroes, fugitive from the Southern States, had sought refuge in this and other States of Central America, where every profession was open to them; and as they were generally superior men–evinced perhaps by their hatred of their old condition and their successful flight–they soon rose to positions of eminence in New Granada. In the priesthood, in the army, in all municipal offices, the self-liberated negroes were invariably found in the foremost rank; and the people, for some reason–perhaps because they recognised in them superior talents for administration–always respected them more than, and preferred them to, their native rulers. So that, influenced naturally by these freed slaves, who bore themselves before their old masters bravely and like men, the New Granada people were strongly prejudiced against the Americans. And in the second and third places, they feared their quarrelsome, bullying habits — be it remembered that the crowds to California were of the lowest sorts, many of whom have since fertilised Cuban and Nicaraguan soil–and dreaded their schemes for annexation (51).

She gives a particular example of a toast from a Southern man — and it gives a sense of her spirit and character. The toast:

So, I say, God bless the best yaller woman He ever made…I calculate, gentlemen, you’re all as vexed as I am that she’s not wholly white —, but I du reckon on your rejoicing with me that she’s so many shades removed from being entirely black —; and I guess, if we could bleach her by any means we would —, and thus make her as acceptable in any company as she deserves to be… (47)

Her response:

…I don’t altogether appreciate your friend’s kind wishes with respect to my complexion. If it had been as dark as any nigger’s I should have been just as happy and as useful, and as much respected by those whose respect I value; and as to his offer of bleaching me, I should, even if it were practicable, decline it without any thanks. As to the society which the process might gain me admission into, all I can say is, that, judging from the specimens I have met with here and elsewhere, I don’t think that I shall lose much by being excluded from it. So, gentlemen, I drink to you and the general reformation of American manners. (48)

The round goes to Mother Seacole.

In Gorgona she ran a hotel for women only. She returned to Jamaica, came back, still restless. On Navy Bay she writes:

my friend Mr. H—- … carefully piloted me through the wretched streets, giving me especial warning not to stumble over what looked like three long boxes, loosely covered with the débris of a fallen house. They had such a peculiar look about them that I stopped to ask what they were, receiving an answer which revived all my former memories of Darien life, “Oh, they’re only three Irishmen killed in a row a week ago, whom its nobody’s business to bury.” (63-64)

That hurt my heart. Her descriptions are wonderfully evocative of place — her restlessness drives her to a tiny town called  Escribanos, 70 miles from Navy Bay, and here follows the most surprising adventure, at least to me:

As I was at this place for some months altogether, and as it was the only portion of my life devoted to gold-seeking, I shall make no apologies for endeavouring to describe the out-of-the-way-village-life of New Granada. (65)

She writes:

And I once did come upon some heavy yellow material, that brought my heart into my mouth with that strange thrilling delight which all who have hunted for the precious metal understand so well (67).

She became a prospector! I and my family know that delight, and this resonated curiously with the two African American women who were prominent prospectors in Arizona’s Superstitions.  This was only ever a brief sideline however, her central occupations as always being running a comfortable(ish) place offering room and board, and healing all those who came to her. Charging those who could pay, but never failing to attend those who could not. A good thing too, as she had found what must have been pyrite.

Her descriptions of life there are wonderful, and here is a glimpse, too, of the lives of those who escaped slavery — Carlos Alexander, the alcalde:

He was a black man; was fond of talking of his early life in slavery, and how he had escaped; and possessed no ordinary intellect. He possessed, also, a house, which in England a well-bred hound would not have accepted as a kennel; a white wife, and a pretty daughter, with a whitey-brown complexion and a pleasant name — Juliana. (66)

Hers is a curious matter-of-factness, especially around race, and is not untainted by the racism of the times. She has a servant she calls Jew Johnny, there are numbers of uncomfortable descriptions of Greeks and Turks and her own black servants (she saw herself as creole). There is no way to know, now, if this was just part of an easy and joking familiarity, if there was a sense of shared oppression, or if her relations were as regulated by the strict hierarchy of skin colour and nationality as any others.

We won’t know in part because this book is not just a description of her life, as she says, but a defense of it — and a defense of her own capacity both as a nurse and a woman (and it still needs defending from the likes of the Daily Mail). I cannot help but feel she believed she was defending the capacity, courage and intelligence of all women of colour, along with traditional medicine and the knowledge that comes with experience rather than Oxbridge.

We are still fighting all of these things.

She had her own battles every step of her journey, especially to get to the Crimea where she felt called. She marshals a number of short and formal notes of recommendation from important men as credentials in her support. She highlights this near the end:

Please look back to Chapter VIII, and see how hard the right woman had to struggle to convey herself to the right place. (134)

But my favourite letter is from a common soldier, it is warm and personal and gives you a true sense of her courage and compassion and what she meant to those fighting. Makes me wish she had not been under those constraints of bankruptcy along with general disrespect and disbelief both for her gender, and for her race.

Sketch of Mary Seacole's "British Hotel" in the Crimea, by Lady Alicia Blackwood (1818-1913).
Sketch of Mary Seacole’s “British Hotel” in the Crimea, by Lady Alicia Blackwood (1818-1913).

A last photo of her:

The only known photograph of Mary Seacole, taken for a carte de visite by Maull & Company in London (c. 1873)
The only known photograph of Mary Seacole, taken for a carte de visite by Maull & Company in London (c. 1873)

And a final note that Mary Seacole recommended butter in coffee over a century before the hipsters did.

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