Tag Archives: Norwood

South London Botanical Institute

Amazing that South London has a botanical institute, I had never heard of it until perusing the tours for Open House London — a pretty exciting weekend that I should have booked up far in advance. A brief description from the SLBI website:

indexFounded in 1910 by a keen botanist, Allan Octavian Hume (1829-1912), the aims of the Institute have remained almost unchanged in 100 years. Hume’s lasting contribution has been to provide an environment where those interested in plants, be they amateur or professional, may meet and develop their knowledge of plants.

It seemed to me quite quintessentially British, this place. The white middle classes thronged, generations of them — I suffered a little class anxiety but I am always made happy seeing grandparents out for the day with their grandchildren I confess. There was tea, and I had some quite nice cake that I took away wrapped up in a napkin that involved zucchini and cream cheese frosting. There was a lovely garden, despite the time of year, with an offering of a number of well marked flowers and herbs. My love of plants has never yet led me into an herbarium, but I discovered their massive collection of beautifully pressed plants, preserved for study in rows of custom built containers, and frozen now and again to ensure there are no insects feasting on them like aged cheddar. They also had a lovely library with the most wonderful books lining the walls, and treasures in these giant old herbals lying open on the table.

First, The Gardener’s Dictionary: containing the best and newest methods of cultivating and improving the kitchen, fruit, flower garden, and nursery, as also for performing the practical parts of agriculture, including the management of vineyards, with the methods of making and preserving wine, according to the present practice of the most skilful vignerons in the several wine countries in Europe, together with directions for propagating and improving, from real practice and experience, all sorts of timber trees .


Put together by Phillip Miller, curator of the Chelsea Physic Garden, the first version was published in 1731. It was a foundational book in forming the knowledge, practice and taste of gardening, or so it is said by the wonderful University of Toronto’s Thomas Fisher Rare Book Library, where you can see all of it .

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One of the other books was entirely London plants, a beautifully illustrated financial disaster: The Flora Londinensis [electronic resource] : or plates and descriptions of such plants as grow wild in the environs of London: with Their Places of Growth, and Times of Flowering; their several Names according to Linnaeus and other Authors: with A particular Description of each Plant in Latin and English. To which are Added, Their several Uses in Medicine, Agriculture, Rural Oeconomy, and other Arts. By William Curtis, Demonstrator of Botany to the Company of Apothecaries. Again, based in Chelsea.


A wonderful description of the book and its publishing can be found here. The pictures are exquisite, as is the book.


Financial disaster came because the book proved expensive to publish and not a big seller. The public was not interested in local flora, desiring pictures of the bizarre and the exotic instead.

Hume, the founder of the South London Botanical Institute, knew all about the ‘exotic’, having been a collector of flora and fauna in India for many years — as well as playing a prominent role in the Indian civil service, and having served in military actions during the rebellion of 1857. Despite the way it feels so rooted here in South London soil, this building and its collections are intertwined with notions and practices of Empire — even if in some ways a return to more familiar plants. The Open House London description is here, notes written by Judy Marshall, Council Member of the Institute in 2006. An extract:

His natural history collections from India were legendary, with the bird and animal collections being presented to the British Museum Natural History as it was then called. Back in England, with help from his friends, he immediately started collecting British plants. These collections form the nucleus of the Institute herbarium. He also designed the herbarium cabinets. The library was started with books owned by him. The garden was to be used partly to grow alien species missing from the herbarium. We do not know whether there was an original conservatory: the present one replaced the existing one, riddled with dry rot, in 1990. This was made possible with a grant from the Stanley Smith Horticultural Trust. The Institute was cared for by resident curators.

It is interesting to speculate on why such a very distinguished and energetic man as Hume should have spent his final years, then aged over 80, pursuing such an unusual aim. According to the original Memorandum of Association, ‘The sole object for which the Institute is established is to promote, encourage and facilitate, amongst the residents of south London, the study of botany exclusively’.

I wonder what it meant to him to return to his own country, specialise in its own plants in a way that the explorations in service of empire demanded abroad. Hume’s history in India seems to be one of liberal action pushing democracy and improvement as far as the framework of empire would go, founding free schools and promoting agricultural improvements. Not radical enough to challenge the empire itself, he did enough to earn himself a demotion and eventual dismissal. So I like him. He also went on to help form the Indian National Congress…there are a number of interesting talks to be found on his role in India and his ornithological and botanical interests here. It somehow all came to rest in this place, on Norwood Road.

This is an interesting place to think through some of London’s connections to Empire, our natural love of, and curiosity about, the incredible world we live in, and how it can be structured and appropriated by imperialism and exploitation. The role of botany and cataloguing and scientific exploration in conquest as well as furthering human knowledge. The corresponding influence of a role as civil servant and political figure in the pursuit of natural history and collecting. The study of botany and the collection of plants are irrevocably tangled in these imperial histories, even when not as tied to such a career as that of Allen Octavian Hume. There is so much more to explore here, and there is a little more here.


The Phoenix Suburb: A History of Norwood

511tJlTqiML._SX324_BO1,204,203,200_A fascinating history of Norwood — though how could it not be? It is hard to imagine the importance of parish boundaries these days — especially as borough boundaries cross them willy nilly. But apparently they used to be preambulated every couple of years, by all of the men and boys of the parish led by the vicar, and apparently the boys used sometimes to be whipped at each marker so they would remember where they were! There was much drinking, and if the vicar were not bold the boundaries could be changed. In 1560 the timorous Vicar Richard Finch of Croydon was turned back from some disputed woods by the fierce men of Penge and they succeeded in changing the boundary…

Norwood itself is a contraction of North Wood, named so by the Saxons. It was still a hamlet in 1800, it’s first public house the Woodman. The woods of Norwood and Lambeth were home to gypsies, recorded by Pepys on 11th August, 1668 when his wife went to see them for a fortune telling, and Byron apparently skived off of his school in Lordship Lane to visit those living in Dulwich woods, but the Croyden and Lambeth Inclosure Acts in the early 1800s changed that to some extent, as did their inclusion in the Vagrant Act.

There is a chapter on the brilliant Mary Nesbitt, companion of Earl of Bristol, Augustus Hervey who left her their house at Norwood when he died. Possibly beginning adult life as a prostitute, she was the widow of a banker, and became the center of a large social circle that included Empress Josephine, wife of Napoleon, and played some kind of role in British machinations after the French Revolution. The book calls her ‘a woman of intrigue’, ‘conspicuous in the late revolution’ but no details! Gah! She died in 1835 at 90, the house became first a fashionable hotel, and then a convent school (!).

There is a bit on atmospheric railways! How cool are they? Moving through the displacement of air rather than a flow of electricity, in silence and speed though the materials weren’t up to the challenge — leather cracking and falling apart. It’s pumping stations were apparently architecturally brilliant (though I take that with a grain of salt).

Beulah Spa, All Saints Parish church and its ongoing controversy over the number of bodies in — and allowed in — the churchyard. A remarkably nonjudgmental remark on a major landowner whose wealth came from his Opium Clipper(!). He includes this brilliant description of Lambeth from Punch (no date however! But before Crystal Palace was built):

The purlieus of London are not to be described. The mind sickens in recalling the odious particulars of the immediate neighbourhood of the bridges. The hucksters and Jew furniture-showps, the enormous tawdry gin palaces, and those awful little by-lanes, of two-storied tenenments, where patent mangles are to let — where Miss Miffin, milliner, lives on the first floor (her trade being symbolised by a staring pasteboard dummy in a cap of flyblown silver paper) — where the street is encumbered by oyster shells and black puddings, and little children playing in them…

You emerge from the horrid road at length on a greenish spot, which I am led to believe is called Kennington Common; and henceforth the route becomes far more agreeable. Placid villas of cockneys adorn each side of the road — stockbrokers, sugar-brokers — that sort of people. We saw cruelty vans (I mean those odious double-barrelled gigs, so injurious to horseflesh) lined with stout females with ringlets, bustles, and variegated parasols. The leading stout female of the party drove the carriage (jerking and bumping the reins most ludicrously and giving the fat horse the queerest little cuts with the whip): a fat boy, resplendent in buttons, commonly occupied the rumble, with many children…

The villas gave each other the hand all the way up Camden Hill, Denmark Hill, etc; one acacia leans over to another in his neighbour’s wall…one villa is just like another; and there is no intermission in the comfortable chain. But by the time you reach Norwood, an actual country to be viewed by glimpses — a country so beautiful that I have sen nothing more charming… (99-100)

Of course, there is so so much on Crystal Palace. Brought to Norwood both for its beauty, and because Leo Schuster, the Director of the Brighton Railway, owned much of the property it is built upon. It’s hard to imagine what it looked like and what it meant — even with pictures. The impact it had on the world of music — Schubert and Schumann were really introduced there and made popular names in the face of dislike. The director August Manns was a key figure in searching out and recovering Schubert’s work from obscurity for which I love him immensely. He helped introduce Arthur Sullivan to the world as well.

Nor did I know the role that the Crystal Palace once played in the history of aeronautics, beginning with ballooning, moving on to dirigibles and the earliest British airplanes. A very readable history is presented here that captures some of that early excitement…and sadly, to its decline, and then spectacular incendiary end in 1936. The ruins now are even more remote from its former grandeur, but I rather love them like that. Especially in the mist. The liberal interpretations of dinosaurs are amazing, as is this, my favourite of the illustrations:

The famous banquet in the mould of the Crystal Palace Iguanodon, New Year's Eve, 1853
The famous banquet in the mould of the Crystal Palace Iguanodon, New Year’s Eve, 1853

It ends with a note on the founding of the Norwood Society to protect and preserve, to keep some of the past alive in the face of development, constant development. That never seems to change.