Rabat’s Domvs Romanus was discovered in 1881 by gardeners planting trees in Howard Garden. Excavated by Dr A. A. Caruana in 1881. They found a number of Islamic graves and some of the mosaics — the mosaics are extraordinary and allow the fairly precise dating of their placement with a span of 50 years at the end of the 2nd and beginning of the 1st century BC. Sadly the British went ahead and destroyed a big chunk of it, cutting the road to Mtarfa railway through the north end in 1899. It was excavated anew by Temmi Zammit in 1922. Which, well, it was early days in archaeology, so loads of interesting things have been lost. We both remember a reference to the cartloads of pottery that were catalogued and then destroyed — but can’t remember where we read this. It wasn’t here. Ah well.
There is a little museum here, containing finds both from the site as well as a few donated from elsewhere. They had these amazing figurines from between the 1st and 3rd Century AD, the middle one is, of course, my favourite. The accompanying notice describes the figure as Eegemone (il cadottiero) — though I imagine this may be Egemone, il condottiero — and the one on the right Ermanio (il vecchio recalvostro). This is the only one for whom provenance is known, found in St Paul’s Square, Mdina. There is nothing about the significance of the names.
Then there is this wonderful glass drinking vessel known as a Rython, with this amazing snail’s head, found in a tomb (but which? no one knows) in Rabat, c 1st Century AD. The glass chalice to the right is also lovely:
Bonnano in Malta: Phoenician, Punic, and Roman gives two wonderful maps. One is of the site as a whole, with a look at the system of cisterns providing water to the house.
The second shows just the villa itself, with the areas where the mosaics were found:
There was the Triclinium, where dining happened, where the pater familias conducted all of his business — where once there were amazing mosaics, mostly gone but what remains of them are so beautiful with their tiny pieces and fine shadings:
Such extraordinary mosaics. They were later repaired with coarse tiles.
I am rather in awe of these floors. There is a display about the cocciopesto floor — believed to have originated in Carthage (those Phoenicians again) around the 4th Century BC, sometimes referred to as Pavimentum Punicum. Crushed pottery was mixed with lime to form a cheap, resistant material — their red colour came from from crushed pottery. This was often combined with white marble tesserae to create simple designs, then called opus signinum. Opus sculatum is the lozenge shaped tiles, put together to form a perspective cube. Such floors were found in almost all Roman sites in Malta, and still found today in fact. Those found here are considered some of the finest in the Mediterranean. No question why (I am just sad glass had to come between us):
Masks lined these floors. Signage states they probably drew on Greek New Comedy — they almost certainly represent a story but no way to know now what that may have been. I find them very eerie with their open mouths, can’t quite imagine wanting them to gape at me from the floors of my home. .
The floors were built over buried amphora, to control the damp…
There are quotations from Vitruvius here from his book on architecture, which has re-entered my list of things to read.
The mosaics, surely, would be enough to demonstrate this was the villa of someone very high status, but in addition very fine Imperial sculptures were also found here — of Claudius and his family probably. A rare thing to have the emperor and his family in your home. Like the masks, I don’t think I would have much appreciated that either.
The museum also holds this statue, found elsewhere in Mdina, which gets much more mention in the books. A goddess, unknown, with an ‘Isis knot’ under her breast, a ‘Lybian’ style to her hair, an eastern necklace.
Outside, staring at the ruins of other poorer homes aligned along a long-buried street
A jumble of bits and pieces here