
This part of Wiltshire is best know for expansive chalkland, a scatter of sarsens across the landscape. Also called ‘greywethers’, they are ‘the only remainders of the Eocene here; pockets of hard sand originally set within a softer and easily-weathered matrix’ (Pollard & Reynolds 14). We sought them out in their natural habitat.

Watts (1993) writes that before the sarsen cutters depleted them for local building, they could be used as stepping stones from Delling to Clatford. They were being squared off and sold up through 1938, the last cartloads going by barge along the Avon-Kennet canal to Windsor castle. It was a dangerous occupation, and cutters died young of silicosis and exposed on the hillsides. Curiously they don’t all split easily, and many were attempted and then left.
Of course, it was those placed here in Neolithic times that I cared most about.
This place was being used long before then, a stop over for the people of the Mesolithic — Cherwell hill was used as an ongoing camp at least, a place people stayed off and on. Earlier archeologists spouted theories left and right but seems that we are more and more reluctant to commit ourselves to any one defined belief of how people moved across the landscape in these prehistoric days. The record tells us little.
There are more signs of occupation from the Early Neolithic (4000-3000 BC), we walked near to the Roughridge pits, which mark the beginnings of creating monuments in this landscape that still remain. They were followed by two long mounds, one at least covered several burials and was constructed within sight of the Roughridge settlement.
The creation of monuments has been seen as symptomatic of new attitudes to place, landscape and the natural world (Bradley 1993,1998). Their construction served to ‘alter the earth’ in a way rarely seen during the Mesolithic, creating permanent landscape features that marked socially and mythically important places… (29)
At this time it was a ‘treescape’ rather than open downs, and trees are described as sources of food fuel and timber, but also ways to hold memory within their clearings. In some ways we can know so little, but science has brought improved ability to trace people’s passage through the underlying geology of their food (crikey), and they traveled fairly large distances. One such study shows that a woman buried with three children at Monkton-up-Wimbourne had originally most likely lived in the Mendips 80 km away, traveled to Cranborne Chase and gave birth to two children. She returned to the Mendips to give birth to the third, then returned to Cranborne Chase.
But mostly we look still to what has been buried, preserved. Evidence of settlements like Hemp Hill in carefully dug pits where objects have been buried though the structures people lived in were fleeting and have left no trace. Archaeologists believe such pits, some colour coded through soil and pottery in dark and light, marked a link, an attachment with places. They describe a certain ‘persistence of place‘ (cf Barton et al 1995), a regular returning to familiar spaces (40). I like too archaeological descriptions of their lack of imprint on the earth beyond their monuments, which ‘seem so permanent and enduring compared with the ephemeral settings of routine existence that Barrett has spoken of Neolithic life as ‘a process of becoming, a movement towards a future state which was described by reference to ancestors or to gods and where life might be spoken of as ephemeral‘ (1994, 136 p 45).
I’m not certain what I think of that, but both the sentence and the life thus lived have a certain poetry.
This is a map of Neolithic presence in Avebury’s landscape.

Windmill Hill is perhaps the most significant monument over time in this landscape. We did not get here somehow, the timings and circuits were not right, but we did see it from over the path of West Kennet Avenue.

On Windmill Hill lies the greatest early Neolithic monument — a great oval enclosure enclosing nearly 8.5 ha. Bronze Age burial mounds cut into it. This hill, along with Knap Hill and Rybury also offer beautiful vistas across a country, which when wooded would have offered few such. There are various theories about the enclosures’ connection with the Linearbandkeramik (LBK) culture and that it represents a lost communal longhouse. There is greater consensus that such a structure is an act of enclosing space, setting it apart, surely of symbolic significance. What I love most though, is that this enclosure is not complete.
The permeability of the enclosure created by the broken sections of ditch implies a lack of concern with exclusion, of people, animals or things, allowing access and egress from many directions. This and other evidence, such as the occurrence of many different pottery styles, some in non-local clays, indicates the participation of large numbers and a range of people in activities at the site (Whittle et al 1999) (50)
It was also filled with animal burials.
We did get to Knap Hill it is splendid, the views above all as there is very little to be seen.

It stands across from a hill with a great long barrow on it — Adam’s Grave. This belongs to the period that follows those of the great enclosures. A number of these were built, more than have survived. They were
‘deliberately sited on locations that had witnessed earlier activity; as such they ‘elaborated upon a landscape which was already composed of significant locations, whether natural landmarks or places associated with particular events or practices’ (Thomas, 1999, 203 quoted on 59).
Many of them are located on vegetational or soil boundaries. Adam’s Grave is the one with the greatest view, here from below:

And here looking over to Knap Hill. This whole escarpment was wondrous looking out over the Pewsey Valley. The Saxons would fight long and hard over this, but more on that later.

West Kennet was the largest long barrow, used like the others for burials of fragments of bone over time. Both West Kennet and Adam’s Grave also contained oolitic limestone, which contrasts white with the grey stone, and had to be brought here from Frome-Bath-Atworth region.


The Later Neolithic period (3000-2400 BC) saw continued use of these areas — a continuity of memory. West Kennet barrow for instance, remained a focus of continued mortuary deposits and then became a repository for an infill of chalk, bone and other materials — but a purposeful one, with contrasting materials in different areas. They don’t make too much of these contrasts but I find them quite significant. They are not all on hills, we found this one in the West Woods covered in bluebells, obscured by saplings.

This is a period when the land was opening up, not so wooded but no evidence of cultivation until the end of the third millenium BC.
This is when Avebury stone circle was built. Deposits of worked flint, pottery, fragments of bone and skull at the bases of the greywethers. Pollard & Reynolds argue it should be seen as a continuation of whatever belief system underlay the enclosures of Windmill Hill, Rybury and Knapp Hill. Built on is it is, it is almost impossible to get a sense of the whole. It is experienced now in quarters, in bits and pieces created by the road.
A map of Avebury and its remaining stones without the village and the road driven through it.

The people here built additional structures at Beckhampton, West Kennet Palisades, the Sanctuary. Avenues connected Beckhampton and the Sanctuary (2.4 k) with Avebury, though almost nothing remains of them. That from the Sanctuary contains a sudden jog as it comes to it’s final third before Avebury — possibly to ensure a turn and then the monument opening up before you. This avenue was also laid out to cross an older occupation site, and a gap was left in its western wedge where it crossed the densest part of the old settlement. Pollard and Reynolds write:
The Avebury avenues brought together disparate places of significance in the landscape, creating connections not only between different parts of the landscape, but, because those places often had long histories of activity, between the past and the present. (105)
Nothing remains now of the Sanctuary but markers showing its complex arrangement of circles of wood and stone. It’s marvelous, and rediscovered by Maud Cunnington, ‘lady’ archaeologist of the 1930s who is never named in the signboards so you never know it was a woman running these early digs, yet who excavated a number of these places. This is directly alongside the ridgeway, but sadly also the A4.

The final monument is Silbury Hill — the largest prehistoric man-made mound in western Europe. MAN-MADE MOUND. Or human-made mound we should say. They built this, rising 37 m above the valley floor, base diameter of 160 m. Like the middens and infills of different colours, this hill was also made of contrasts. The primary mound at the base of turves brought from elsewhere.

The reasons are all opaque to us, but its presence demands a reason. There is some thought that the wooden constructions like the West Kennet palisades are perhaps versions of the Avebury circles for the living. Silbury hill a transition point. Reading about this landscape I found Silbury Hill perhaps the least interesting but seeing it…

It is extraordinary, and perhaps more so knowing that people are still not sedentary in this landscape. But they soon will be.
A last more detailed map of where we know they might sometimes be found while living, where their dead remained.

Sources:
Pollard, Joshua, and Andrew Reynolds (2006) Avebury the biography of a landscape. Stroud: Tempus.
Watts, Kenneth (1993) The Marlnorough Downs. Bradford-on-Avon: Ex Libris Press.
I’ve been meaning to read these blog posts for a while. But time always presses and I keep postponing. Now, having read and enjoyed this one I’ll do my best to put aside more time and read the others.
I haven’t been to Avebury since my late teens.(early 1960s). I hitch-hiked with a school friend along the A4 and we slept in a tent. He probably read-up on the area. I was simply ignorant about the stones and the history and the everything else. Which I still am of course. Although in some ways perhaps this was a more raw and open way to feel and breathe in the landscape. Or maybe it was simple ignorance compounded.
A couple of years ago we met an American from Virginia, who was here doing a masters about museums. She told us about an approach to museum education for young people which asks them to look, feel, think and then talk together about the exhibits in front of them. But not to read the labels and blurbs.
I found this appealing. A bit like going to a film without reading a review or having the slightest clue what sort of story or genre you’re going to get. Not even from the title and never having heard of the actors.
Thanks for sharing your blog.
Alan Stanton
I’m so glad you enjoyed them! And brilliant to hear about your own experience, that was definitely more my approach when I was younger 🙂