John Berger gives us words to live by, Hold Everything Dear. An amazing book. This is a rather Benjaminian collection of quotes that I particularly loved really.
From ‘Wanting Now’, thinking of all the struggle that lies outside of a ‘movement’:
Today the desire for justice is multitudinous. This is to say that struggles against injustice, struggles for survival, for self-respect, for human rights, should never be considered merely in terms of their immediate demands, their organizations, or their historical consequences. They cannot be reduced to ‘movements’. A movement describes a mass of people collectively moving towards a definite goal, which they either achieve or fail to achieve. Yet such a description ignores, or does not take into account, the countless personal choices, encounters, illuminations, sacrifices, new desires, griefs and, finally, memories, which the movement brought about, but which are, in the strict sense, incidental to that movement. (2)
From ‘Let Us Think About Fear’ — it seems even more uncannily accurate about Trump and the Republicans today, who almost make me miss Bush Jr.
The leaders of the New World Order, however, would seem to be married to Fear … Day and Night the partners of Fear are anxiously preoccupied with telling themselves and their subordinates the right half-truths … It takes about six half-truths to make a lie. As a result, they become unfamiliar with reality, whilst continuing to dream about, and of course to exercise, power. They continually have to absorb shocks whilst accelerating. Decisiveness becomes their invariable device for preventing the asking of questions. (53)
From ‘Stones’ — on the walls of Ramallah:
Today there is not a wall in the town centre of Ramallah, now the capital of the Palestinian Authority, which is not covered with photographs of the dead, taken when alive and now reprinted as small posters. … These faces transform the desultory street walls into something as intimate as a wallet of private papers and pictures. … Around the posters, the walls are scarred with bullet and shrapnel marks. (59)
I confess, I am perhaps a bit wary of such essays as a form, printed in a small book they seem part of the elite tradition of letters. I still love this book, I know Berger was a Marxist to the end. Yet it makes me so sad that the cover should name Berger one of the great intellectuals of our time, that he could then write such an essay so powerful on Palestine, and that it should continue to be ignored. It makes me wonder what we are doing, what we should do, what we can do.
As I read Raja Shehadeh, another such powerful writer, on his wanderings and the beauty of Palestine it reminded me so much of the Arizona desert I love, that was also lost though not in the same way. So this had a bit of an eerie feeling to it:
I have never seen such a light before. It comes down from the sky in a strangely regular way, for it makes no distinction between what is distant and what is close. The difference between far and near is one of scale, never of colour, texture or precision. And this affects the way you place yourself, it affects your sense of being here. The land arranges itself around you, rather than confronting you. It’s the opposite of Arizona. Instead of beckoning, it recommends never leaving. (68)
This captures capitalism I think, and our history of conquest and pillage of which Bacon knew quite a lot — On a new appreciation of Francis Bacon’s work ‘A Master of Pitilessness’
Today’s pitilessness is perhaps more unremitting, pervasive and continuous. It spares neither the planet itself, nor anyone living on it anywhere. Abstract because deriving from the sole logic of the pursuit of profit (as cold as the freezer), it threatens to make obsolete all other sets of belief, along with their traditions of facing the cruelty of life with dignity and some flashes of hope. (87)
More about walls, about poverty, about home. ‘Ten Dispatches About Endurance in Face of Walls’ (Oct 2004)
The poor have no residence.
The poor have no residence. They have homes because they remember mothers or grandfathers or an aunt who brought them up. A residence is a fortress, not a story; it keeps the wild at bay. A residence needs walls. Nearly everyone among the poor dreams of a small residence, like dreaming of rest. However great the congestion, the poor live in the open, where they improvise, not residences, but places for themselves. These places are as much protagonists as their occupants; the places have their own lives to live and do not, like residences, wait on others. The poor live with the wind, with dampness, flying dust, silence, unbearable noise (sometimes with both; yes, that’s possible!) with ants, with large animals, with smells coming from the earth, rats, smoke, rain, vibrations from elsewhere, rumours, nightfall, and with each other. Between the inhabitants and these presences there are no clear marking lines. Inextricably confounded, they together make up the place’s life.
The poor are collectively unseizable. They are not only the majority on the planet, they are everywhere and the smallest event speaks of them. This is why the essential activity of the rich today is the building of walls – walls of concrete, of electronic surveillance, of missile barrages, minefields, frontier controls, and opaque media screens. (91-92)
‘Looking Carefully — Two Women Photographers’ made me feel inspired to be a photographer again, but I particularly liked this:
Within such a concept of history we have to come to see that every simplification, every label, serves only the interests of those who wield power; the more extensive their power, the greater their need for simplifications. And, by contrast, the interests of those who suffer under, or struggle against this blind power, are served now and for the long, long future by the recognition and acceptance of diversity, difference and complexities. (134)
Ah, to take pictures that do not capture and simplify but render up complexities.
I end where the book actually begins, with a poem. It has been too long since I shared a poem.
Hold Everything Dear
for John Berger
as the brick of the afternoon stores the rose heat of the journey
as the rose buds a green room to breathe
and blossoms like the wind
as the thinning birches whisper their silver stories of the wind to the urgent
in the trucks
as the leaves of the hedge store the light
that the moment thought it had lost
as the nest of her wrist beats like the chest of a wren in the morning air
as the chorus of the earth find their eyes in the sky
and unwrap them to each other in the teeming dark
hold everything dear
the calligraphy of birds across the morning
the million hands of the axe, the soft hand of the earth
one step ahead of time
the broken teeth of tribes and their long place
steppe-scattered and together
clay’s small, surviving handle, the near ghost of a jug
carrying itself towards us through the soil
the pledge of offered arms, the single sheet that is our common walking
the map of the palm held
in a knot
but given as a torch
hold everything dear
the paths they make towards us and how far we open towards them
the justice of a grass than unravels palaces but shelters the songs of the searching
the vessel that names the waves, the jug of this life, as it fills with the days
as it sinks to become what it loves
memory that grows into a shape the tree always knew as a seed
the child who reaches for the truths beyond the door
the yearning to begin again together
animals keen inside the parliament of the world
the people in the room the people in the street the people
hold everything dear
19th May 2005