Headed down to the Old Malt House in Bristol yesterday to catch a piece of the Bristol Radical Film Festival — the programme of shorts. With over 2000 submissions, the films they chose were wonderful indeed. In many ways short films face the same challenges as short stories — creating something to hold the attention, convey a message. To open up a character in a very short amount of time, or perhaps rather than a character a city, an aspect of human nature or action. These last featured in the opening film One Million Steps (Eva Stoltz), and this turned out to be my favourite. In truth what I loved most, though, was the feeling of the whole, seeing so many different kinds of film exploring various aspects of resistance. Still, this was brilliant and beautiful and expressive of so much in a very unique way.
An exploration of a city and its people through the sharing of the unexpected joy that dance can bring in the face of poverty and the destruction of the old and beautiful to make way for neoliberal development. From their website:
“Rhythm as a universal language, inspired us to meet with a city and its habitants through the rhythms of the steps we take in our lives. We chose Istanbul as our destination, a city of extreme contrasts that is over 2000 years old and subject to the expansion of a neo-liberal economy. What pressures does this generate? What becomes visible when we look at the daily steps and movements of the habitants?
With a small crew, we filmed for a week in April 2013. End of May 2013 country wide protests broke out and our initial questions suddenly became visible and audible everywhere. Not only did the movements of the people in the streets change – protesters and policemen pressing through the streets, people occupying a park to prevent it from demolition, banging pots and pans out of windows at 9pm – but people seemed to ask themselves different questions: how will this continue? How do I want to live and relate to my fellow citizens? What will be my next step?
Through the changing sounds and movements in the city, we felt a peaceful and creative resistance against a system that has alienated itself from the people and their needs. In the film we see through the eyes of the dancer how people reclaim their living space and fight for a piece of freedom. The dancer is a-political and playful at first, but then she discovers her affinity with the people in the protest and uses her dance as a powerful expression of solidarity.
There is so much here about life, music, daily resistance and extraordinary moments of resistance. So much about what it means to live with the destruction of neighborhoods as context — a blog post on the Istanbul places lost since filming is here.
This was followed by Silent Country (James Wren), a look at the future where even Bristish-born children of immigrant parents are being hunted down. I found it quite gripping — also curious that in the discussion afterwards some expressed that it needed exposition at the opening to set the scene, and that it was confusing. The curious thing is that Mark and I thought perhaps there was too much.
The Tomatoes Tree (Armin Mobasseri) — the struggle of two immigrants to cross the next border, the jokes and small talk of travel and the amazing contrast of this journey with that of the tourists wandering around taking pictures with their ipads.
No Te Conozco, Pero Te Necesito Para Cambiar El Mundo [I don’t Know You, But I Need You to Change the World] (Libres Films) — A wonderful short documentary on Rexiste, a political action group using art and action to challenge power in Mexico. I watched this and realised suddenly how many opportunities we missed when we were organising in LA, to use film to expand our strategies and our solidarity. Also, drones are being used in fascinating ways. But I could imagine the ladies breaking out the stencils after seeing this.
Cthulu Regio Entropy (Flavio Carvalho) — This one minute film is awesome with its accompanying text, bewildering without. ‘A probe launched. A flyby over ‘Cthulhu Regio’ in Pluto. Data lost.‘
The Movement (Shawn Antoine) — on the Black Lives Movement, but it gave too much time to the white lady talking about all lives matter, the footage from only one small protest…
Streets of Parliament (Lottie O’Connell) — I liked this combination of footage and views across East London. Not just because I love East London. But I sought what I knew in the montage, and thought it fit in well with the other types of short we were watching…
Pirates are the Best Customers (Alex Lungu) — I love infographicky sorts of things, and this was interesting enough, but if anything could have been said not quite to fit, it was this. That bit where the corporate executive is bouncing off the artists like a trampoline though? Amazing.
Austerity (Ranos Gavris) — a powerful short film returning to the world of narrative, character and resistance, a very slow, moving view into the meaning of crisis in Greece. The director was there, as well, and it was good to hear him speak about it.
Tree (Director: Sadegh Akbari, ArtDirector: Mohammad Zare, Storyboard: Masoud Sabahi) — I loved this animation, it was a brilliant way to end. There is nothing online about it, but here is a view of the story board
And the animation itself…
It’s very short, wholly darkly unexpected.
Short film is such an amazing media, I really need to remember to take more time, seek more of it out.
For more on film…
