Some say also to be one-in-the-eye for a literary, intellectual Krakow.
It’s also all about steel. Poland ‘refused’ aid from the U.S. through the Marshall Plan, turning instead to a 1948 economic agreement with the USSR to provide it 1.5-2 million tons of steel per year. In 1949 the site of Nova Huta was decided on, to be built on 11 thousand hectares of rich soil and three villages. I am writing in more passive voice throughout this post, because agency is complex though ultimately I suppose it was mostly about Stalin. This land was taken, as the book (finally a book in English with more context, even if only a write-up of an exhibition held here in the lovely little museum that used to belong to the scouts, with chapters written by the curators Paweł Jagło and Maria Lempert) states:
sometimes without financial compensation. The investment was realized against the will of inhabitants of the villages near Krakow, who felt deeply harmed by this decision. (17)
This immense steelworks, named after Lenin, started operation on 22 July 1954 using Soviet technology. After 1956, more modern technology in the form of machines designed by Tedeusz Senzimir (American of Polish descent) was brought in. Senzimir — who workers wanted to name the factory after in 1989, and did briefly. Now of course, through the glories of global capital, it is Arcellor-Mittal Poland.
Architecture (Paweł Jagło)
It is curious to me, coming from a country where social housing was always a victory for our people, to read the inner conflict and diffidence in descriptions of this place imposed and in many ways representative of outside oppression despite its positive role in the lives of so many. Interesting how this then folds into architectural and social critiques of such density of worker housing, and the underlying ideals of this kind of utopian planning. Paweł Jagło writes:
‘The winning design, which was a creative comment on the Renaissance idea of the ideal city, was submitted by Tadeusz Ptasycki (1908-1980)… Housing estates designed for 4-5 thousand people were built around public utilities and services like kindergartens, schools, playgrounds and parks. Services (shops etc.) were located on ground floors of residential building by main streets.
Each housing estate became a well-defined self-contained ‘mini-city’ within the bigger urban establishment of Nowa Huta.’ (23)
Look at this model, amazing:
The dominant style of that time, force-fed to the people by the Communist regime, was that of Socialist Realism….a historicising mannerism based on the Renaissance and Baroque periods. (23)
A view from the central plaza now, though not from the optimum height:
I am puzzled by some sentences, that again imply that the imposition of style and form was not as simple as it might look, but perhaps is just to ensure that the architects are not let completely off the hook.
Nowa huta’s socialist realist architecture was criticised for ideological reasons. Experts were of the justifiable opinion that architects gave in to the authorities too easily. (28)
Honestly though, it’s quite all right this place, even on a muggy afternoon in the rain. And it is not, after all, all of a sameness. The first estates, built between 1949 and 1951, ‘were designed in the fashion of pre-war working class estates in Warsaw to save time and money.’ Not too long after, the style ‘allowed’ for architecture was expanded:
Another feature of the new style were greater spaces between buildings…as a result, the estates were partly mini-cities and partly gardens.
This place is indeed full of trees, plants, green. Almost more pleasant than the sound of the modernist buildings (like the Swedish building, which we didn’t go see because of the rain) ‘in the Szklane Domy Estate, following the style of Le Corbusier’s Unite d’Habitation of Marseilles.'(25)
I really hate Le Corbusier. He would have been confused about where the servants were supposed to live.
Walking around we found the theatre:
The cinema (now a Tesco, yay capitalism. Though I won’t deny queues suck and shelves with food you can buy are good things):
The stylish cafe for workers, where we had a nice meal:
We passed men playing chess on the tables provided in the park along the main boulevard, despite the rain:
The housing — and people who obviously love and care for it as evidenced by their balconies:
Supposed to hold 100,000 people, the 100,000th person moved in to Nova Huta at the end of 1959. Yet the steel plant continued to expand and so the housing for the workers expanded also (that at least is refreshing). Four more estates were built in 1968, three others along an old airstrip in the 1970s, and another in the 1980s.
Curiously enough there is mention of gentrification, put forward by a sociologist named Jacek Gądecki, which I am most curious about. But that is to return to later.
Also curious — or not — is the way that Nova Huta became a base for the toppling of Poland’s communist regime. Initially it crystallized around religion.
Defence of the Cross – Paweł Jagło
Jagło writes of the famous incident — called the Defence of the Cross — that began a long history of simmering revolt and rebellion in Nova Huta:
Defence of the Cross in Teatralne housing estate was the first major rebellion of the people of Nowa Huta against communist authorities. (30)
It took place in 1960, after agitation to get their own church (hardly surprising the original development was designed without one, though several were located nearby). Finally promised a church, the bureaucracy back-pedaled and delayed. A cross was placed on the location, but new plans were put forward to build a school instead. As construction crews came to remove the cross, women defended it and thus began days of mass confrontation. The new, amazingly modernist church called the Lord’s Ark was built as a result further down the road, but eventually a church was built here too, and a cross remains as a reminder.
Another focus of anger was Lenin’s Statue, put up in Plaz Centralny.
Lenin’s Statue – Paweł Jagło
Marian Konieczny created this quite amazing hulking beetle-browed statue of Lenin (reminding me immensely of Israel Singer’s description of him in The Brothers Ashkenazi), and it was erected on the 100th anniversary of his birth on 20th April, 1970.
Lenin lived in Krakow for a few years of his exile, and we had spent some time in his footsteps during our time there. It is full of both irony and tragedy to me that his statue should become a symbol of a regime of very real oppression, a lightening rod for anger and resentment. Nova Huta’s residents both mocked and attempted to destroy it in many creative ways — trying to shoot the head off with a light canon, spraying it with Valerian drops to encourage cats to defecate on statue, placing old rubber boots and a bike in front with a sign reading ‘Here’s some old shoes and a bike, now out of Nowa Huta, take a hike!’ Someone tried to blow it up, succeeding only in damaging one of the legs while blowing out windows all around it and injuring a number of people. Bricks and stones and paint were thrown.
Authorities removed Lenin’s statue on 10th December 1989.
Eventually it was bought by a Swedish millionaire named Big Bengt Erlandsson, who took it to the High Chaparral Theme park in southern Sweden.
A pause here. Because we need one.
Anti-communist opposition – Paweł Jagło
In 1979 a group started the ‘Christian Community of Working People’, who began publishing a samizdat magazine Nova Huta Cross. This was a beginning of the intertwined resistance movements, bringing together Catholicism and trade unionism. There is a look at Solidarity here, which I find fascinating, but necessarily very simplified and brief.
After the beginning strikes at Gdansk shipyard, a strike was called at Nowa Huta and a branch of Solidarity formed. In 1980 they formed the Steelworkers’ Working Committee. I’m sure it did more than bring crosses (all consecrated in the Lord’s Ark Church) and banners into all departments of the Steelworks, but this is what is highlighted here. On 13th December 1981 martial law was introduced, Nowa Huta declared a strike. Three days later the plant was ‘pacified’. (41) Continuing demonstrations through 1982 and 1983 were followed by raids and repressing. Another strike in April 1988 was suppressed, but all of this was part of the build up towards 1989 and regime change. Jagło writes:
‘And so, Nova Huta slowly began to rid herself of the ‘socialist city’ tag. The change of image continues to this day.’ (42)
I am not sure what I make of that.
Myths – Maria Lempert
This is the final section, very brief but quite illuminating I think, in showing the swirls of contention around such a project. :
Myth 1 –Nova Huta built in place of poverty-stricken villages to improve the lives of residents. (They were quite all right thank you)
Myth 2 – it was a ‘socialist godless city’. (They were quite religious and god-fearing thank you)
Myth 3 – the steelworks polluted Krakow and caused depreciation of historic monuments. (There are lots of other factories polluting Krakow, given weather patterns, Nova Huta’s steelworks are mostly polluting Nova Huta)
Myth 4 -the most common and enduring myth of all, wherever you may go:
and the most deeply rooted in the minds of Cracovians is the opinion that Nova Huta was and still is the most dangerous of all of Krakow’s districts, full of social pathology typical of areas populated by the working class. (50)
There is much more to be explored, I hope I have the chance to do so one day. Particularly as this connects to worker housing elsewhere like the homes built for Katowice’s miners at Nikiszowiec and Giszowiec.
That Poland has gone for Ronald Reagan as a new hero after whom the central should be named perhaps embodies much of what is going wrong now…
More posts on Poland: