God I hated it. I considered a considered rant about why I got angrier and angrier as I thought about Mirrorcity long after we had left. In summary this felt on the whole like a pretentiously abstracted slap in the face of any city’s vibrancy, hope, struggle and increasing desperation. A slap we actually paid for and that stuck with me disagreeably through the whole of the afternoon. I would recommend just spending money on Tim Etchells‘ amazing Vacuum Days instead, you can skim through them here. A subset of these pointed and playful and angry thoughts on the daily news had been printed large and stretched up several floors to be read as you climbed the brutalist stairs (whose architect’s utopian dreams were here otherwise utterly smashed into pointless pieces). At the top was another piece by Etchells on the evolving city. Wordy and needing too much time to read for an exhibit really, but there was nothing better to look at. I liked that too and decided I would go see any exhibit of his at any time. I also really liked Emma McNally’s maps. There were one or two other things that were okay, but seriously. Just buy that book. Catch those two elsewhere.
Luckily we had a gig in the evening to remind us what artists can be. Thee Faction and 8 Rounds Rapid replaced all that anger with some awesome sounds, and Grace Petrie‘s every song was like a gift. Made me want to write words that burned, made me want to change the world. They’re all on the same list with Tim Etchells.
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