Category Archives: The Wilds

Almost home: Tucson Mountain Park

Taking care of mom, hardly leaving the house for shielding as much as a terrible unrelenting heat. Starting work at 6 am latest to speak to people in the UK, so can’t even go walking when the temperature might make that possible. Until today. A drive out to near where we used to live. A walk with Cat Mountain almost always in view. Not living there still feels like a hole in the heart. An impossibility. For all the talk about modern mobility and all my own mobility, this is still where I am anchored. A piece of my heart still in that adobe house. The wind still carrying me amidst the deer, coyotes, rabbits enjoying the sun, the cactus wrens and towees and gila woodpeckers and roadrunners and threshers and this host of wild things making the desert such a vibrant place of life.

Formby Beach

I am backdating this to the day we saw we came to this beautiful place but writing this late (maybe late, who knows how late) in lockdown (25 May). I long for a beach, air, space, emptiness, woods, trains, travels, pubs, new things.

A cold, windy day of great dark clouds and blue sky, we hoped to find the beach empty. The older I get, the emptier I like my beaches. Formby was surprisingly full of people along much of the beach itself, but for the most part spread across the long horizon’s sweeps like Lowry figures. But in the glorious dunes there were few people, and the bright sun and deep shadow showed the beauty of low wind carved hills.

Across wet hard-packed beach the wind swept wide rivers of dry sand, swiftly racing undulations of changing currents and rivulets that stung against my shins.

We saw many dogs with joy quivering in every bound and wet shake.

People did fill the woods, one of the last places that red squirrels can still be seen. We did not see red squirrels, only a notice that we might encounter them dead or dying among the pines of squirrel pox. Devastating on many levels.

Nor did we comb the waters edge as the tide ebbed out for the prehistoric footsteps, not knowing that was the only place they could be seen. I’m still a little heartbroken about that. Walking to Formby from the train we missed the informational boards positioned for the passengers of cars, but even for them it wasn’t all that clear.

I loved that this was also a productive landscape, a world of small holding (or so it was once) and asparagus beds — ah, asparagus! How I love asparagus. There is a plaque for the Aindow family, a rare local name. The plaque tells us:

William Aindow… with his brothers Ellis and Douglas and sister Joan, he leveled new fields next to Victoria Wood. The Aindows also grew asparagus on part of Pine Tree farm and a long pointed strip of land next to Jubilee Wood called tongue sharp piece! It was here they had their sheds ad a couple of caravans where they stayed during the main asparagus season.

Horses were used on the Aindows’ farm into the 1990s. The narrow drills suited horse cultivation and the horse would move between the ridges without damage to the roots of the asparagus plant. When the ridges were formed by tractor cultivation, they tended to be wider. It wasn’t always easy to plough or harrow with a tractor o the sand because of the risk of getting stuck, especially when the sand was dry.

The ridges of their fields can be seen here:

A splendid walk, if cold and the wind, well the wind was really something.

Climbing Wasson Peak

Such a lovely lovely first day of the year with Dan, Jessica, Mark, wearing my new to me Earth First T-shirt which once belonged to Z and came to me via Julie as a Christmas gift — a most precious thing. We started at the King’s Canyon trail head, and did a glorious loop up past the petroglyphs my dad first showed me. Deer, even though the trail was busy.

Frost Magic

In Glasgow giving a book talk to students at the School of Art. They were amazing, bright, full of questions and the need to talk about cities and justice and architecture and language, I loved them. Eight of them bought books. They. Bought. Books. My beautiful nephew Reuben’s second birthday, all too short and wonderful time with T and Laura, the science museum.

The world frozen, beautiful from their Hamilton window.

A quick run up to Chatelherault Country Park where I remembered again how much I love winter. I love this place. The ancient Cadzow oaks and the earthworks dating back to at least the 12th century. the Cadzow castle ruins looking over the river. Frost. Mist. Bare branches against the sky.

from Matsutake mushrooms to entanglements, patches and methodologies

I found Anna Tsing’s The Mushroom at the End of the World such an extraordinary book. I love particularly how it stretches to understand and theorise complexity in a way closely tied to justice struggles, that includes but is hardly limited to political economy and ecology.

It opens with this idea of entanglement, and its challenges to more traditional theorising around capitalism, nature, knowledge. I love her language, her style and the way it in turn allows such an intense grappling-with-things-as-they-are. She talks about enabling entanglements, all that this allows us to think through:

Ever since the enlightenment, western philosophers have shown us a Nature that is grand and universal but also passive and mechanical. Nature was a backdrop and resource for the moral intentionality of Man, which could tame and master Nature. It was left to fabulists, including non-Western and non-civilizational storytellers, to remind us of the lively activities of all beings, human and not human. Several things have happened to undermine this division of labor. First, all that taming and mastering has made such a mess that it is unclear whether life on earth can continue. Second, interspecies entanglements that once seemed the stuff of fables are now materials for serious discussion among biologists and ecologists, who show how life requires the interplay of many kinds of beings. Humans cannot survive by stomping on all the others. Third, women and men from around the world have clamored to be included in the status once given to Man. Our riotous presence undermines the moral intentionality of Man’s Christian masculinity, which separated Man from Nature. The time has come for new ways of telling true stories beyond civilizational first principles.

There is no question of what the stakes are — this wonderful idea of riotous presence. She continues

Without Man and Nature, all creatures can come back to life, and men and women can express themselves without the strictures of a parochially imagined rationality. (vii)

She continues:

My book then offers “third nature,” that is, what manages to live despite capitalism. To even notice third nature, we must evade assumptions that the future is that singular direction ahead…Yet progress stories have blinded us. To know the world without them, this books sketches open-ended assemblages of entangled ways of life, as these coalesce in coordination across many kinds of temporal rhythms. (viii)

This ‘crippling assumption’ of linear progress is critiqued again and again, as is the reduction of theory:

While I refuse to reduce either economy or ecology to the other, there is one connection between economy and environment that seems important to introduce up front: the history of the human concentration of wealth through making both humans and nonhumans into re-sources for investment. This history has inspired investors to imbue both people and things with alienation, that is, the ability to stand alone, as if the entanglements of living did not matter.’ Through alienation, people and things become mobile assets; they can be removed from their life worlds in distance-defying transport to be exchanged with other assets from other life worlds, elsewhere.’ This is quite different from merely using others as part of a life world—for example, in eating and being eaten. In that case, multispecies living spaces remain in place. Alienation obviates living-space entanglement. The dream of alienation inspires landscape modification in which only one stand-alone asset matters; everything else becomes weeds or waste. Here, attending to living-space entanglements seems inefficient, and perhaps archaic. When its singular asset can no longer be produced, a place can be abandoned. The timber has been cut: the oil has run out; the plantation soil no longer supports crops. The search for assets resumes elsewhere. Thus, simplification for alienation produces ruins, spaces of abandonment for asset production. Global landscapes today are strewn with this kind of ruin. Still, these places can be lively despite announcements of their death; abandoned asset fields sometimes yield new multispecies and multicultural life. In a global state of precarity, we don’t have choices other than looking for life in this ruin. (5-6)

Again this is creating theory able to think in new ways about an all-pervasive precarity, all-pervasive spaces of abandonment and ruin (at the same as possible spaces of life and hope), and the entanglements that are part of this in complex ways. On precarity:

Precarity is the condition of being vulnerable to others. Unpredictable encounters transform us; we are not in control, even of ourselves. Unable to rely on a stable structure of community, we are thrown into shifting assemblages, which remake us as well as our others. We can’t rely on the status quo; everything is in flux, including our ability to survive. Thinking through precarity changes social analysis. A precarious world is a world without teleology. Indeterminacy, the unplanned nature of time, is frightening, but thinking through precarity makes it evident that indeterminacy also makes life possible. (20)

On assemblage, which she draws on a great deal and I confess I’ve never much cared for… but I love the idea stretched to be wielded in this way, these lifeways.

The concept of assemblage is helpful. Ecologists turned to assemblages to get around the sometimes fixed and bounded connotations of ecological “community.” The question of how the varied species in a species assemblage influence each other—if at all—is never settled: some thwart (or eat) each other; others work together to make life possible: still others just happen to find themselves in the same place. Assemblages are open-ended gatherings. They allow us to ask about communal effects without assuming them. They show us potential histories in the making. For my purposes, however, I need something other than organisms as the elements that gather. I need to see lifeways—and non-living ways of being as well—coming together. Nonhuman ways of being, like human ones, shift historically. For living things, species identities are a place to begin, but they are not enough: ways of being are emergent effects of encounters. Thinking about humans makes this clear. Foraging for mushrooms is a way of life—but not a common characteristic of all humans. The issue is the same for other species. Pines find mushrooms to help them use human-made open spaces. Assemblages don’t just gather lifeways; they make them. Thinking through assemblage urges us to ask: How do gatherings sometimes become “happenings,” that is, greater than the sum of their parts? If history without progress is indeterminate and multidirectional, might assemblages show us its possibilities?

Patterns of unintentional coordination develop in assemblages. To notice such patterns means watching the interplay of temporal rhythms and scales in the divergent lifeways that gather. Surprisingly, this turns out to be a method that might revitalize political economy as well as environmental studies. Assemblages drag political economy inside them, and not just for humans. Plantation crops have lives different from those of their free-living siblings; cart horses and hunter steeds share species but not lifeways. Assemblages cannot hide from capital and the state; they are sites for watching how political economy works. If capitalism has no teleology, we need to see what comes together—not just by prefabrication, but also by juxtaposition. (23)

I love how for her this fits into the landscape — a term with immense baggage in the world of geography, but still very useful I think. It moves into questions of methodology, where I also find so much to think about here, draw into my own work.

Telling stories of landscape requires getting to know the inhabitants of the landscape, human and not human. This is not easy, and it makes sense to me to use all the learning practices I can think of, including our combined forms of mindfulness, myths and tales, livelihood practices, archives, scientific reports, and experiments. But this hodgepodge creates suspicions—particularly, indeed, with the allies I hailed in reaching out to anthropologists of alternative world makings. For many cultural anthropologists, science is best regarded as a straw man against which to explore alternatives, such as indigenous practices.12 To mix scientific and vernacular forms of evidence invites accusations of bowing down to science. Yet this assumes a monolithic science that digests all practices into a single agenda. Instead, I offer stories built through layered and disparate practices of knowing and being. If the components clash with each other, this only enlarges what such stories can do. (159)

The concept of salvage, something I also find really useful:

‘taking advantage of value produced without capitalist control…”Salvage accumulation” is the process through which lead firms amass capital without controlling the conditions under which commodities are produced. Salvage is not an ornament on ordinary capitalist processes; it is a feature of how capitalism works. (63)

On supply chains, commodities, what a mushroom can teach us about the contemporary nature of capitalism, the idea of translation:

A supply chain is a particular kind of commodity chain: one in which lead firms direct commodity traffic.’ Throughout this part, I explore the supply chain linking matsutake pickers in the forests of Oregon with those who eat the mushrooms in Japan. The chain is surprising and full of cultural variety. The factory work through which we know capitalism is mainly missing. But the chain illuminates something important about capitalism today: Amassing wealth is possible without rationalizing labor and raw materials. Instead, it requires acts of translation across varied social and political spaces, which, borrowing from ecologists’ usage, I call “patches.” Translation, in Shiho Satsuka’s sense, is the drawing of one world-making project into another.2 While the term draws attention to language, it can also refer to other forms of partial attunement. Translations across sites of difference are capitalism: they make it possible for investors to accumulate wealth. (62)

and this:

Global supply chains ended expectations of progress because they allowed lead corporations to let go of their commitment to controlling labor. Standardizing labor required education and regularized jobs, thus connecting profits and progress. In supply chains, in contrast, goods gathered from many arrangements can lead to profits for the lead firm: commitments to jobs, education, and well-being are no longer even rhetorically necessary. Supply chains require a particular kind of salvage accumulation, involving translation across patches. The modern history of U.S.-Japanese relations is a counterpoint of call-and-response that spread this practice around the world. (110)

She continues with what helped out allow the global shift to outsourcing but following the commodity chain of the matsutake — this is a long quote but traces this way of unraveling how things work, fit together, of seeing absences as well as presences, of bringing together multiple ways of understanding how a thing works and how assemblage might be a useful concept along more traditional concepts used in looking at capitalism like alienation:

…I let the thread of the story unroll quite far from matsutake. Yet at each step I need the chain’s reminders to resist the lull of current erasures. This is not just a story, then, but also a method: big histories are always best told through insistent, if humble, details.

In collecting goods and people from around the world, capitalism itself has the characteristics of an assemblage. However, it seems to me that capitalism also has characteristics of a machine, a contraption limited to the sum of its parts. This machine is not a total institution, which we spend our lives inside; instead, it translates across living arrangements. turning worlds into assets. But not just any translation can be accepted into capitalism. The gathering it sponsors is not open-ended. An army of technicians and managers stand by to remove offending parts—and they have the power of courts and guns. This does not mean that the machine has a static form. As I argued in tracing the history of Japanese-U.S. trade relations, new forms of capitalist translation come into being all the time. Indeterminate encounters matter in shaping capitalism. Yet it is not a wild profusion. Some commitments are sustained, through force.

Two have been particularly important for my thinking in this book. First, alienation is that form of disentanglement that allows the making of capitalist assets. Capitalist commodities are removed from their life-worlds to serve as counters in the making of further investments. Infinite needs are one result; there is no limit on how many assets investors want. Thus, too, alienation makes possible accumulation—the amassing of investment capital, and this is the second of my concerns. Accumulation is important because it converts ownership into power. Those with capital can overturn communities and ecologies. Meanwhile, because capitalism is a system of commensuration, capitalist value forms flourish even across great circuits of difference. Money becomes investment capital, which can produce more money. Capitalism is a translation machine for producing capital from all kinds of livelihoods, human and not human. (133)

Gives examples of children reclaiming precious and dangerous metals from cell phones as another example of salvage — not anything thought of as capitalist labour, yet important to more traditional forms of labour such as the making of new phones.

However, there is something peculiar and frightening in this dedication salvage, as if everyone were taking advantage of the end of the world to gather up riches before the last bits are destroyed. (274)

These different forms of exploitation alongside each other makes theorising and organising for a better world difficult, but it is the task before us. Salvage is perhaps a term that can help get us where we need to go:

The challenges are enormous. Salvage accumulation reveals a world of difference, where oppositional politics does not fall easily into utopian plans for solidarity. Every livelihood patch has its own history and dynamics, and there is no automatic urge to argue together, across the viewpoints emerging from varied patches, about the outrages of accumulation and power. Since no patch is “representative,” no group’s struggles, taken alone, will overturn capitalism. Yet this is not the end of politics. Assemblages, in their diversity, show us what later I call the `latent commons,” that is, entanglements that might be mobilized in common cause. Because collaboration is always with us, we can maneuver within its possibilities. We will need a politics with the strength of diverse and shifting coalitions—and not just for humans. The business of progress depended on conquering an infinitely rich nature through alienation and scalability. If nature has turned finite, and even fragile, no wonder entrepreneurs have rushed to get what they can before the goods run out, while conservationists desperately contrive to save scraps. The next part of this book offers an alternative politics of more-than-human entanglements. (134-35)

And so we return to methods, to storytelling, to knowing place:

Telling stories of landscape requires getting to know the inhabitants of the landscape, human and not human. This is not easy, and it makes sense to me to use all the learning practices I can think of, including our combined forms of mindfulness, myths and tales, livelihood practices, archives, scientific reports, and experiments. But this hodgepodge creates suspicions—particularly, indeed, with the allies I hailed in reaching out to anthropologists of alternative world makings. For many cultural anthropologists, science is best regarded as a straw man against which to explore alternatives, such as indigenous practices.12 To mix scientific and vernacular forms of evidence invites accusations of bowing down to science. Yet this assumes a monolithic science that digests all practices into a single agenda. Instead, I offer stories built through layered and disparate practices of knowing and being. If the components clash with each other, this only enlarges what such stories can do. (159)

History is central to this, but what is it exactly? What does it need to be?

“History” is both a human storytelling practice and that set of remainders from the past that we turn into stories. Conventionally, historians look only at human remainders, such as archives and diaries, but there is no reason not to spread our attention to the tracks and traces of nonhumans, as these contribute to our common landscapes. Such tracks and traces speak to cross-species entanglements in contingency and con-juncture, the components of “historical” time. To participate in such entanglement, one does not have to make history in just one way.’ Whether or not other organisms “tell stories,” they contribute to the overlapping tracks and traces that we grasp as history.2 History, then, is the record of many trajectories of world making, human and not human. (168)

Just two other tidbits to end:

Privatization is never complete; it needs shared spaces to create any value. That is the secret of property’s continuing theft–but also its vulnerability. (271)

I just need to sit and think about that. And this, which perhaps is the real challenge this book seeks to address, the need for these new ways of thinking, studying, understanding:

Progress gave us the “progressive” political causes with which I grew up. I hardly know how to think about justice without progress. The problem is that progress stopped making sense. (25)

Tsing, Anna Lowenhaupt (2015) The Mushroom at the End of the World: On the Possibility of Life in Capitalist Ruins. Princeton and Oxford: Princeton University Press.

Boyana Church (БОЯНСКАТА ЦЪРКВА) to Boyana Waterfall

We were almost a week in Sofia before heading towards Mount Vitosha for hiking…it had been so hot, and then stormy. We took the metro to Vitosha station then the 64 bus. Public transport here is a bit terrifying until you figure it out, this helped immensely unlike many another site, especially official ones.

It’s a short walk to Boyana Church, which was amazing. From the UNESCO site:

Located on the outskirts of Sofia, Boyana Church consists of three buildings. The eastern church was built in the 10th century, then enlarged at the beginning of the 13th century by Sebastocrator Kaloyan, who ordered a second two storey building to be erected next to it.


A schematic drawing of the church from the church website:

The frescoes in this second church, painted in 1259, make it one of the most important collections of medieval paintings. The ensemble is completed by a third church, built at the beginning of the 19th century. This site is one of the most complete and perfectly preserved monuments of east European medieval art.

The frescoes are amazing. We were lucky enough to be the only ones there for a short time — having walked from the bus there was no press of people, no time limit. The caretaker gave us some beautiful stories behind the depictions. Photos are not allowed and are in short supply on the internet, my favourite there is not be found. A poet, whose eyes watch you wherever you are in the church. They are vivid and very beautiful, what photos do exist do not come anywhere close to capturing them. But I recognised the crowns of these immediately that we had seen the day before at the National Museum of History where they have been copied and sit on display. This is Tsar Constantine Asen Tikh and Tsaritsa Irina:

From there we walked up the hill to find the trail up to Boyana waterfall. We weren’t quite prepared for an hour and a 45 minutes or so of steep uphill climb with little break to get there, the guide book might have been a little more explicit. But the woods were beautiful, the falls lovely, and we did have some cheese and wine to work off.

Coming back down we encountered these amazing creatures — Dryocopus martius — their calls are quite eerie in an almost silent forest. Apparently if you can imitate them they will come find you. If only we had known, we chased them down switchbacks through the trees but they caught on to our game soon enough.

The mountain now, and some of its wonders:



The waterfall

We were up and back in around two and a half hours, then walked down the hill to Cinecitta Osteria Italiana, who let us in despite being a little more dishevelled than the other guests and having no reservation. A delicious meal. Glorious day.

Space and splendour and Weston Super Mare

I know those adjectives don’t usually go together, but I stand by it. The first Saturday of February, there were no holiday hordes. There was almost no one there but for a couple of the beaches where absolutely everyone was out walking their dogs. That was quite glorious. But we walked past great mud flats and rickety ruined piers stretched out above the mud and the waves through woods and out past sand bay full of windswept grass with black feathered heads beyond which stand mysterious islands shrouded in the distant mist and a great city shining white on the far banks of the Severn (Cardiff). Out to Sand Point, the tail end of the Mendips forming sweeping coves and secluded rocky beaches. A defense installation, pill boxes, old boats beached high. Neolithic mounds. Walls built by prisoners of the Napoleonic war. The sky was blue above us scattered with clouds — except when it was all cloud, but this is England after all.

Above all there was room to expand, to breathe even as the wind did its best to take your breath away.

I have a new coat that actually keeps me warm. It has changed my life.